Image
Complete Citation:
Bardi, Aloma, ed.“Ives, un Padre del Novecento.” Il Giornale della Musica 20/204 (May 2004): 24--26.
Bibliography
Genres
Bardi, Aloma, ed.
Year: 2004
Notes:
A group of articles for the fiftieth anni-versary of Ives’s death. Color photograph of Ives by George Grayson Tyler on the cover. [Ives: Father of the New Century].
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Baron, Carol
Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.Source: Chapter in Book
Reprints:
Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Baron, Carol K.
Year: 2003
Complete Citation:
Baron, Carol K. “‘Father Knew (and Filled Me Up with) Bach’: Bach and Ives—Affinities in Lines and Spaces.” In Bach Perspectives: Vol. 5: Bach In America, edited by Stephen A. Crist, 151-178. Urbana, IL: University of Illinois Press, 2003.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Bassi, Adriano
Year: 1998
Complete Citation:
Bassi, Adriano. “Da Gershwin ad Ives nell’America del ‘900.” Ras- segna musicale curci quadrimestrale 51 (May 1998): 33--35.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Beal, Amy C.
Year: 2008
Complete Citation:
Beal, Amy C. “Experimentalists and Independents are Favored: John Edmunds in Conversation with Peter Yates and John Cage, 1959-1961.” Notes 64, no. 4 (June 2008): 659-687.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Beckerman, Michael
Year: 2003
Complete Citation:
Beckerman, Michael. New Worlds of Dvorak: Searching in America for the Composer’s Inner Life. New York, NY: W.W. Norton, 2003.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bell, Michael
Year: 2009
Complete Citation:
Bell, Michael. “CD Reviews: “Variations on America.”” Organists’ Review, Vol. 95, No. 4 (2009): 83.Source: Journal (recording review)
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Berger, Arthur
Year: 1933
Complete Citation:
Berger, Arthur. “The Young Composer's Group.” Trend 2 (April-June 1933): 26-28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1949
Complete Citation:
Berger, Arthur. “Contemporary Music Society.” New York Herald Tribune, April 26, 1949: 18.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Berger, Arthur V.
Year: 1933
Complete Citation:
Berger, Arthur V. “The Young Composers’ Group.” Trend 2 (April-June, 1933): 26-28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Berger, Arthur V. “The Young Composers Group.” Trend 2/1 (April--June 1933): 26--28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1951
Complete Citation:
Berger, Arthur V. “League of Composers.” New York Herald Tribune, April 7, 1951, 7.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bermúdez, Santiago Martín
Year: 2007
Complete Citation:
Bermúdez, Santiago Martín. “Encuentros: Henri Dutilleux - “Lo importante es eschuchar algo que te sorprenda.”” Scherzo: Revista de Música, Vol. 22 (2007): 140-142.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bernstein, Leonard
Year: 1976
Complete Citation:
Bernstein, Leonard. The Unanswered Question: Six Talks at Harvard. Cambridge, MA: Harvard University Press, 1976.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Black, Leo
Year: 2010
Complete Citation:
Black, Leo. “Harry Croft-Jackson: with a note on Charles Ives.” In BBC music in the Glock era and after: a memoir, edited by Christopher Wintle and Kate Hopkins. London, United Kingdom: Cosman Keller Art and Music Trust: in association with Plumbago Books; Rochester, NY: Distribution, Boydell & Brewer, 2010.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Block, Geoffrey
Year: 2008
Complete Citation:
Block, Geoffrey. “Bernstein's Senior Thesis At Harvard: The Roots of a Lifelong Search to Discover an American Identity.” College Music Symposium, vol. 48 (2008): 52-68. Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bonham, Robert John
Year: 1981
Complete Citation:
Bonham, Robert John. “Some Common Aesthetic Tendencies Manifested in Examples of Pioneer American Cabins and Old Harp Music and in Selected Works of H.H. Richardson and Charles E. Ives.” Ph.D. diss., Ohio University, 1981.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bonighton, Ian and Richard Middleton
Year: 1979
Complete Citation:
Bonighton, Ian and Richard Middleton. Ives and Varèse. London, United Kingdom: Open University Press, 1979.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Booth, Earl Walter
Year: 1974
Complete Citation:
Booth, Earl Walter. “New England Quartet: E.A. Robinson, Robert Frost, Charles Ives and Carl Ruggles.” Ph.D. diss., University of Utah, 1974.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers