Image
Complete Citation:
Carter, Elliott. “Charles Ives Remembered.” In Elliott Carter: collected essays and lectures, 1937-1995, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
Bibliography
Genres
Carter, Elliott
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Notes.” Modern Music Vol. 16, No. 3 (March-April 1939): 172-176.Source: Journal
Reprints:
Carter, Elliot. “The Case of Mr. Ives.” <i>Perspectives of New Music</i> Vol. 2, No. 2 (Spring-Summer 1964). * Carter, Elliot. “The Case of Mr. Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Carter, Elliott. “Stravinsky and Other Moderns in 1940.” Modern Music 17/3 (March-April 1940): 164-170.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Carter, Elliott. “The Changing Scene, New York 1940.” Modern Music XVII, 3 (March-April 1940): 240-241.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1960
Complete Citation:
Carter, Elliott. “Shop Talk by an American Composer.” The Musical Quarterly XLVI (April 1960): 189-201.Source: Journal
Reprints:
Carter, Elliott. “Shop Talk by an American Composer.” In <i>Problems of Modem Music</i>, edited by Paul Henry Lang, 51-63. New York, NY: W. W. Norton, 1962. * Carter, Elliott. “Shop Talk by an American Composer.” In <i>Problems of Modem Music</i>, edited by Paul Henry Lang, 262-273. New York, NY: W. W. Norton, 1962. New York, NY: Holt, Rinehart and Winston, 1967. * Carter, Elliott. “Shop Talk by an American Composer.” <i>Twentieth-Century Views of Music History</i>, edited by Edwin Hays, 412-424. New York, NY: Charles Scribner’s Sons, 1972.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1977
Complete Citation:
Carter, Elliott. The Writings of Elliott Carter: An American Composer looks at Modern Music, compiled, edited and annotated by Else and Kurt Stone. Bloomington, IN: Indiana University Press, 1977.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2011
Complete Citation:
Carter, Elliott. “Elliott Carter (1908).” Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 42-44. Woodbridge, United Kingdom: Boydell and Brewer, 2011.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cash, Alice H.
Year: 1991
Complete Citation:
Cash, Alice H. “Feminist Theory and Music: Toward a Common Language School of Music University of Minnesota Minneapolis — 26-30 June 1991.” The Journal of Musicology 9/4 (1991): 521-532.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cazden, Norman
Year: 1955
Complete Citation:
Cazden, Norman. “Realism in Abstract Music.” Music and Letters XXXVI (January 1955): 38.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Charles, Daniel
Year: 1994
Complete Citation:
Charles, Daniel. Musketaquid: John Cage, Charles Ives und der Transzendentalismus. Berlin, Germany: Merve-Verlag, 1994.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chavez, Carlos
Year: 1962
Complete Citation:
Chávez, Carlos. “Ives y Copland.” Clave, Voz de la Juventud Musical Uruguaya 49 (August--September 1962): 19--23.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chernosky, Louise E.
Year: 2014
Complete Citation:
Chernosky, Louise E. “Imagining Listeners through American Experimental Music: NPR’s RadioVisions.” In Tomorrow Is the Question: New Directions in Experimental Music Studies, edited by Benjamin Piekut, 229-253. Ann Arbor, MI: University of Michigan Press, Ann Arbor, 2014.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cizmic, Maria
Year: 1999
Complete Citation:
Cizmic, Maria. “Composing the Pacific: Interviews with Lou Harrison.” Echo: A Music Centered Journal, Vol. 1, No. 1 (1999): np.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Copland, Aaron
Year: 1932
Complete Citation:
Copland, Aaron. “The Composer in America, 1923-1933.” Modern Music X, 1 (November-December 1932): 91.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Copland, Aaron. “The Composer in America, 1923-1933.” Modern Music X. 2 (January-February 1933): 87-92.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1941
Complete Citation:
Copland, Aaron. “The Ives Case.” In Our New Music, New York, 149-161. New York, NY: Whittlesey House, 1941.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1945
Complete Citation:
Copland, Aaron. Música y músicos contemporáneos. Buenos Aires, Argentina: Losada, 1945.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1951
Complete Citation:
Copland, Aaron. Charles Eliot Norton Lectures at Harvard University, 1951-1952.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Copland, Aaron. Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952, 99, 111-114. Cambridge, MA: Harvard University Press, 1952.Source: Book
Reprints:
Copland, Aaron. <i>Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952</i>.<i> </i>New York, NY: New American Library Mentor Book, 1959. * Copland, Aaron. <i>Music and Imagination </i>[Musica e Imaginación]. Buenos Aires, Argentina: Emecé Editores, 1955.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
Copland, Aaron. “Modern Music: Fresh and Different.” New York Times Magazine (March 13, 1955): 15, 60, 62.Source: Magazine
Reprints:
Copland, Aaron. “‘Are My Ears on Wrong?’ A Polemic.” In <i>Copland on Music</i>, 253-260. New York, NY: Doubleday, 1960. New York: W. W. Norton, 1963.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers