Ballard, Lincoln
Year: 2005
Complete Citation:
Ballard, Lincoln. “Charles Ives and Scriabin: An Unanswered Question?” Lecture, Society for American Music National Meeting, Eugene, Oregon, February 17, 2005.Source: Public Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bardi, Aloma
Year: 2004
Complete Citation:
Bardi, Aloma. “Ives in Ascolto, in Ascolto di Ives.” Musica 156 (May 2004): 46--50.Notes: [How Ives Listened, How to Listen to Ives].
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2004
Complete Citation:
Bardi, Aloma. “L’eccentrico assicuratore Ives” (24--25). Il Giornale della Musica 20/204 (May 2004): 24--26.Notes: Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bardi, Aloma, ed.
Year: 2004
Complete Citation:
Bardi, Aloma, ed.“Ives, un Padre del Novecento.” Il Giornale della Musica 20/204 (May 2004): 24--26.Notes: A group of articles for the fiftieth anni-versary of Ives’s death. Color photograph of Ives by George Grayson Tyler on the cover. [Ives: Father of the New Century].
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Barker, John W.
Year: 1976
Complete Citation:
Barker, John W. “Who Owns Charles Ives?” Reviews in American History 4, no. 3 (September 1976): 442-450.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Baron, Carol K.
Year: 1993
Complete Citation:
Baron, Carol K. “In the Premises, What Would He Do?: Charles Ives’s Challenge to Conservative Critics.” Paper presented at International Kongress der Gesellschaft für Musikforschung. Freiburg, Germany, September, 1993.Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Baron, Carol K. “‘Father Knew (and Filled Me Up with) Bach’: Bach and Ives—Affinities in Lines and Spaces.” In Bach Perspectives: Vol. 5: Bach In America, edited by Stephen A. Crist, 151-178. Urbana, IL: University of Illinois Press, 2003.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bassi, Adriano
Year: 1998
Complete Citation:
Bassi, Adriano. “Da Gershwin ad Ives nell’America del ‘900.” Ras- segna musicale curci quadrimestrale 51 (May 1998): 33--35.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Battisti, Frank
Year: 1998
Complete Citation:
Battisti, Frank. “The Legacy of Charles Ives.” Instrumentalist 52/7 (Febru-ary 1998): 68-74.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Beal, Amy
Year: 2003
Complete Citation:
Beal, Amy. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no. 4 (Winter 2003): 474-513.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Beal, Amy C.
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society (Spring 2000) 53/1: 105-135.Notes: Translation by Amy C. Beal, p. 128-135.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society, vol. 53, no. 1 (2000): 105-139.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Beal, Amy C. 2003. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no.4 (Winter): 474-513.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Beal, Amy. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley, CA: University of California Press, 2006.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2008
Complete Citation:
Beal, Amy C. “Experimentalists and Independents are Favored: John Edmunds in Conversation with Peter Yates and John Cage, 1959-1961.” Notes 64, no. 4 (June 2008): 659-687.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Beck, Nora M.
Year: 1993
Complete Citation:
Beck, Nora M. “An Examination of Gender in Selected Writ-ings and Music of Charles Ives.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Beckerman, Michael
Year: 2003
Complete Citation:
Beckerman, Michael. New Worlds of Dvorak: Searching in America for the Composer’s Inner Life. New York, NY: W.W. Norton, 2003.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Beckwith, John
Year: 1977
Complete Citation:
Beckwith, John. “Reflections on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 230-232. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bell, Michael
Year: 2009
Complete Citation:
Bell, Michael. “CD Reviews: “Variations on America.”” Organists’ Review, Vol. 95, No. 4 (2009): 83.Source: Journal (recording review)
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Berger, Arthur
Year: 1933
Complete Citation:
Berger, Arthur. “The Young Composer's Group.” Trend 2 (April-June 1933): 26-28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers