Image
decorative banner image

Bibliography

Burkholder, J. Peter

Year: 1996
Complete Citation:
Burkholder, J. Peter. “Rethinking the Turn of the Century: Mahler and Ives.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1997
Complete Citation:
Burkholder, J. Peter. “Ives Today.” Ives Studies, 263-290. Edited by Philip Lambert. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2004
Complete Citation:
Burkholder, J. Peter. “Un americano figlio dell’Europa.” Translated by Aloma Bardi. Il Giornale della Musica 20/204 (May 2004): 25-26.
Notes:

Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Burkholder, J. Peter, H. Wiley Hitchcock, Thomas Owens, and Gayle Sherwood, panelists

Complete Citation:
Burkholder, J. Peter, H. Wiley Hitchcock, Thomas Owens, and Gayle Sherwood, panelists. “Perspectives on Charles Ives.” Panel presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
VI. Topical Studies
S. Reception Studies and Related Scholarship

Burkholder, J. Peter, James Sinclair, and Kenneth Singleton

Year: 1993
Complete Citation:
Burkholder, J. Peter, James Sinclair, and Kenneth Singleton. “Panel Discussions: The Influence of Popular Music on the Works of Ives and Cop-land.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Burton, Humphrey

Year: 1994
Complete Citation:
Burton, Humphrey. Leonard Bernstein. London, United Kingdom: Faber and Faber, 1994.
Notes:

Discusses Symphony No. 2 (p. 205 and 299).

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Butterworth, Neil

Year: 1985
Complete Citation:
Butterworth, Neil. The Music of Aaron Copland, 118, 170, 179, 191. London, United Kingdom: Toccata Press, 1985.
Notes:

Cites Copland’s early insights into music of Ives, includ-ing “the major weakness of Ives through his lack of self-criticism.”

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cage, John

Complete Citation:
Cage, John. “Two Statements on Ives.” In A Year from Monday: New Lectures and Writings, 36-42. Middletown, CT: Wesleyan University Press, 1967.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The East in the West.” Modern Music 23/2 (Spring 1946): 111--115.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The Dream and Dedications of George Antheil.” Modern Music 23/1 (Winter 1946): 78-79.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1961
Complete Citation:
Cage, John. "History of Experimental Music in the United States." In Silence. Middletown, CT: Wesleyan University Press, 1961.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
“Two Statements on Ives.” In John Cage. A Year from Monday: New Lectures and Writings, 36-42. Middle-town, CT: Wesleyan University Press, 1967.
Notes:

Includes a letter to Michael O. Zahn of Milwaukee.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
Cage, John. A Year from Monday: New Lectures and Writings, 42. Middletown, CT: Wesleyan University Press, 1967.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Cage, John Cage. Notations. West Glover, VT: Something Else Press, 1969.
Notes:

Exam-ples of composers’ manuscripts. Includes a reproduction of a blank page of music paper with Charles Ives's signature.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1979
Complete Citation:
Cage, John. "The Future of Music." In Empty Words. Middletown, CT: Wesleyan University Press, 1979, 179-180.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cahill, Greg

Year: 2004
Complete Citation:
Cahill, Greg. “Editor’s Note.” Strings, Vol. 19, No. 3 (2004): 8.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Carter, Eilliot

Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Nites.” Modern Music 16 (March-April 1939): 3, 172-176.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Carter, Elliot

Year: 1938
Complete Citation:
Carter, Elliott. “Vacation Novelties, New York.” Modern Music (January-February 1938) 15/2: 97.
Notes:

A review of Daniel Gregory Mason’s <i>Abraham Lincoln Symphony </i>

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Carter, Elliot. “Ives Today, His Vision and Challenge.” Modern Music 21/3 (May-June 1944).
Source: Journal
Reprints:

Carter, Elliot. “Ives Today, His Vision and Challenge.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard.

VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1948
Complete Citation:
Carter, Elliot. “Genial Sage.” In Paul Rosenfeld: Voyager in the Arts, edited by Jerome Mellquist and Lucie Wiese, 163-165. New York, NY: Creative Age Press, 1948.
Source: Chapter in Book
Reprints:

Carter, Elliot. “Genial Sage.” In <i>Collected Essays and Lectures, 1937-1995</i>, 306-307. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers