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Bibliography

Sachs, Joel

Year: 2012
Complete Citation:
Sachs, Joel. “Henry and His Circle.” In Henry Cowell: A Man Made of Music. Oxford, United Kingdom: Oxford University Press, 2012.
Source: Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2012
Complete Citation:
Sachs, Joel. “Collaborations and an Ives Biography.” In Henry Cowell: A Man Made of Music. Oxford, United Kingdom: Oxford University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Sadownik, Tomasz Paweł

Year: 2016
Complete Citation:
Sadownik, Tomasz Paweł. W poszukiwaniu amerykańskiego idiomu muzyki narodowej : analiza “Old American Songs” Aarona Coplanda oraz wybranych pieśni Charlesa Ivesa. Katowice, Poland: Akademia Muzyczna im. Karola Szymanowskiego, 2016.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Salzman, Eric

Year: 1963
Complete Citation:
Salzman, Eric. “Retrospective of Avant-garde Music.” New York Herald Tribune. December 21, 1963, 6.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation:
Salzman, Eric. “Carl Ruggles.” HiFi/Stereo Review (September 1966) 17/3: 53--63.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Sanborn, Pitts

Year: 1927
Complete Citation:
Sanborn, Pitts. “Pro-Musica or Anti?” New York Telegram, January 31, 1927: 7.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Sanders, Donald

Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Scheuer, Philip K.

Year: 1964
Complete Citation:
Scheuer, Philip K. “Movies and the Sound of Great Music.” Los Angeles Times, January 26, 1964, A2.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schiff, David

Year: 1983
Complete Citation:
Schiff, David. The Music of Elliot Carter, 17-19 and passim. London, United Kingdom: Eulenberg Books, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2018
Complete Citation:
Schiff, David. Carter. New York, New York: Oxford University Press, 2018.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schneider, Frank

Year: 1989
Complete Citation:
Schneider, Frank. “Masse als kompositorisches Phaenomen.” Disso-nant/Dissonance 20 (May 1989): 16-17.
Notes:

Regarding Orchestral Set No.2: “From Hanover Square North at the End of a Tragic Day the Voice of the People Again Arose.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schoenberg, Arnold

Year: 1944
Complete Citation:

Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.

Notes:

A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sid­ney Cowell, Charles Ives and His Music as a footnote with lines 6­7 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A repro­duction of Schoenberg's note and the correct wording is given on the following page of the present volume. [The original is held in the Ives Papers at Yale University.]

Source: Letter
Reprints:

Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.
Notes:

A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sid-ney Cowell, Charles Ives and His Music as a footnote with lines 6-7 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A repro-duction of Schoenberg's note and the correct wording is given on the following page of the present volume. See also B0972 and B1332 (Ward). [The original is held in the Ives Papers at Yale University.]

Source: Letter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Schoenberg, Arnold. Panegyric to Charles Ives [1944].
Source: Fragment
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.
Source: Letter
Reprints:

Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1955.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schofield, Edmund A.

Year: 1993
Complete Citation:
Schofield, Edmund A. “Thoreau was somewhere near: the Ives-Thoreau connection.” In Thoreau’s world and ours: a natural legacy. Golden, CO: North American Press, 1993.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schonberg, Harold C.

Year: 1962
Complete Citation:
Schonberg, Harold C. “Ives and Ruggles.” The New York Times. March 3, 1962: 16.
Notes:

A review of recital that included ten Ives songs plus an unspecified encore (1962 March 2: New York; Museum of Modern Art; Composers Showcase; Helen Boatwright, soprano; William Dale, piano).

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schorske, Carl

Year: 1985
Complete Citation:
Schorske, Carl. “Mahler ey Ives: Archaïsme Populiste et Innovation Musicale.” In Gustav Mahler: Un Homme, une Oeuvre, une époque: Musée D'art Moderne de la Ville de Paris, 87-97. Paris, France: Bibliothèque Nati-onal, 1985.
Source: Exhibition booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schuman, William

Year: 1940-1941
Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.
Notes:

A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.

Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy

Schwartz, Elliott

Year: 1975
Complete Citation:
Schwartz, Elliott. “Directions in American Composition Since the Second World War: Part I—1945-1960.” Music Educator’s Journal 61/6 (February 1975): 29-39.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers