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Bibliography

Ewen, David

Year: 1969
Complete Citation:
Ewen, David. “The Eccentrics.” In David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 51-60. New York, NY: Chilton Publishing, 1969.
Notes:

Discusses Quartet No. 2; Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; Symphony No. 2; and Symphony No. 4.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Fairfield, Patrick K.

Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Feder, Stuart

Year: 1993
Complete Citation:
Feder, Stuart. “Homesick in America: The Nostalgia of Antonín Dvořák and Charles Ives.” In Dvořák in America, 1892-1895. Portland, OR: Amadeus Press, 1993.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Feder, Stuart. “The ponds of Thoreau and Charles Ives.” In Thoreau’s world and ours: a natural legacy. Golden, CO: North American Press, 1993.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Feith, Michel

Year: 1999
Complete Citation:
Feith, Michel. “Commemoration: Translation or Betrayal? Saint Gaudens, Ives, Lowell (Shaw Memorial, ‘For the Union Dead,’ ‘Charles Ives’ ‘Three Places in New England’).” Revue Française d’Études Américaines
80 (March 1999): 69-81.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ferrari, Giordano

Year: 2002
Complete Citation:
Ferrari, Giordano. “Le «Populaire» Comme Matériau Pour L’innovation Musicale: Satie, Milhaud, Ives.” Musurgia, vol. 9, no. 1 (2002): 61-74.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Fessel, Pablo

Year: 2006
Complete Citation:
Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.
Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Field, Corey

Year: 1984
Complete Citation:
Corey Field. “Charles Ives, James Joyce, and the General Slocum.” Keynote: A Magazine for the Musical Arts 8/8 (October 1984): 8-13.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Filho, Carlos Marigo

Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Finaldi, Edmond T.

Year: 1961
Complete Citation:
Finaldi, Edmond T. “Some musical ideas of Charles E. Ives, Connecticut's pioneer in contemporary music.” M.S. thesis, Western Connecticut State University, 1961.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fischlin, Daniel

Year: 2011
Complete Citation:
Fischlin, Daniel. ““A Door to Other Doors”: Henry Threadgill Interview with Daniel Fischlin.” Critical Studies in Improvisation, Vol. 7, No. 2 (2011).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Fisher, Fred

Year: 1975
Complete Citation:
Fred Fisher. “Ives and Schoenberg: The Impulse to Greatness.” Connecticut Review VIII/2 (April 1975): 82-88.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Fisher, Jeff

Year: 2016
Complete Citation:
Fisher, Jeff. “Bernard Herrmann: conducting the obscure with the CBS Symphony.” M.M. thesis, University of South Dakota, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fouse, Kathryn Lea

Year: 1992
Complete Citation:
Fouse, Kathryn Lea. “Surrealsim in the Piano Music of Representative 20th-century American Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1992.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1993
Complete Citation:
Fouse, Kathryn Lea. “Surrealism in the Music of Representative Twen-tieth-Century Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1993.
Notes:

Chapter 2 cites appearances of surrealism characteristics as defined in this paper.

Source: D.M.A. Dissertation.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frame, Robert

Year: 1969
Complete Citation:
Frame, Robert. “Charles Ives: The Tragedy of a Progressive.” Unpublished undergraduate paper, University of Minnesota, 1969.
Source: Unpublished undergraduate paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Frank, Alan Robert

Year: 1969
Complete Citation:
Frank, Alan Robert. “The Music of Charles Ives: For Presentation in the Listening Program of the Secondary School.” Ed.D. diss., Columbia University, 1969.
Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frantz, Donald Howe, Jr.

Year: 1960
Complete Citation:
Frantz, Donald Howe, Jr. “Search for Significant Form, 1905-1915: An Evaluation of the Symbols of Tradition and Revolt in American Literature, Painting, and Music.” Ph.D. diss., University of Southern California, 1960.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frayne, Rob

Year: 1992
Complete Citation:
Frayne, Rob. “An analysis of partitions and strata in Charles Ives’s Three places in New England.” M. Mus. thesis, University of Ottawa, 1992.
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fricke, Stefan, and Hans G. Helms

Year: 2001
Complete Citation:
Fricke, Stefan, and Hans G. Helms. “Von Ives Lernen... Stefan Fricke Im Gespräch Mit Hans G. Helms.” Neue Zeitschrift Für Musik, vol. 162, no. 5 (2001): 22-25.
Source: Magazine/Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers