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Bibliography

Howard, John Tasker and George Kent Bellows

Year: 1967
Complete Citation:
Howard, John Tasker and George Kent Bellows. “Experimental Composers: Charles Edward Ives; John Cage.” In A short history of music in America.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hüppe, Eberhard

Year: 2012
Complete Citation:
Hüppe, Eberhard. “Dvořák, Ives: Mahler: New York im Konnex europäischer Städte.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hurst, Rolland W.

Year: 1971
Complete Citation:
Hurst, Rolland W. “A Study, Analysis and Performance of Selected Songs by Charles Ives.” Ph.D. diss., Columbia University, 1971.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hutchinson, Mary Ann

Year: 1970
Complete Citation:
Hutchinson, Mary Ann. “Unrelated Simultaneity as an Historical Index to the Music of Charles Ives.” Master’s diss., Florida State University, 1970.
Source: Master’s Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1970
Complete Citation:
Hutchinson, Mary Ann. “Unrelated Simultaneity as an Historical Index to the Music of Charles Ives.” M.M. thesis, Florida State University, Tallahassee, 1970.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Hwang, Mi K.

Year: 2009
Complete Citation:
Hwang, Mi K. “Elements of Jazz Style in Twentieth-Century American Organ Works: Selected Works of Charles Ives, William Albright, and William Bolcom.” D.M.A. thesis, University of Arizona, 2009.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ishii, Reiko

Year: 2005
Complete Citation:
Ishii, Reiko. “The Development of Extended Piano Techniques in Twentieth-Century American Music.” D.Mus. diss., Florida State University, 2005.
Source: D.Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ivashkin, Alexander

Year: 2013
Complete Citation:
Ivashkin, Alexander and John Cage. “John Cage in Soviet Russia.” Tempo, vol. 67, no. 266 (2013): 18-27.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ives, Charles

Year: 1962
Complete Citation:
Ives, Charles. “Essays Before a Sonata.” In Three Classics in the Aesthetic of Music. New York, NY: Dover Publications, 1962.
Source: Chapter in Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1971
Complete Citation:
Ives, Charles. “Thoreau.” In Henry David Thoreau: a profile. New York, NY: Hill and Wang, 1971.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Jacklin, Brendan

Year: 2017
Complete Citation:
Jacklin, Brendan. “Defining Musical Americanism: A Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives.” University of Cincinnati, College-Conservatory of Music, 2017.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Jackson, K. David

Year: 2015
Complete Citation:
“Machado and the Spectacle of the World.” In Machado De Assis: A Literary Life, by K. David Jackson, 281-300. New Haven, CT: Yale University Press, 2015.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Jacobson, Bernard

Year: 1969
Complete Citation:
Jacobson, Bernard. “The ‘In’ Composers: Mahler, Ives, Nielsen, Sibelius, Vivaldi, Berlioz—Are They Permanent Classics or Just Temporary Fads?” High Fidelity/Musical America 19/7 (July 1969): 54-57.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Jarrett, Alfred Roosevelt

Year: 1967
Complete Citation:
Jarrett, Alfred Roosevelt. “‘New Music’ in the U.S.A., 1960--1966.” M.M. thesis, Howard University, 1967.
Notes:

Ives is one of twelve com-posers discussed.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Jennert, Rüdiger

Year: 1995
Complete Citation:
Jennert, Rüdiger. “Amerikanische Chormusik des 20. Jahrhunderts: stilische Untersuchungen zu sakralen Chorwerken von Aaron Copland, Charles Edward Ives und Randall Thompson.” Ph.D diss., Staatliche Hochschule für Musik, Freiburg im Breisgau, 1995.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Jensen, Diane M.

Year: 1980
Complete Citation:
Jensen, Diane M. “A study of ragtime elements found in selected works of Charles E. Ives.” M.M. thesis, University of Nebraska-Lincoln, 1980.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Johnson, Judith M.

Year: 2010
Complete Citation:
“Songs my mothers taught me: the sentimental ballads of Charles Ives.” M.A. Thesis, University of Washington, 2010.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Johnson, Ronald

Year: 1935
Complete Citation:
Johnson, Ronald, 1935. “The Different Musics.” In The Different Musics. New York, NY: W.W. Norton, 1969.
Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Johnston, Walter E.

Year: 1985
Complete Citation:
Johnston, Walter E. “Style in W. C. Williams and Charles Ives.” Twentieth Century Literature, vol. 31, no. 1 (1985): 127-136.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1985
Complete Citation:
Johnston. Walter. “Style in W.C. Williams and Charles Ives.” 20th Century Literature 31 (Spring 1985): 127-136.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers