Pinotti, Cintia Maria Annichino
Year: 2002
Complete Citation:
Pinotti, Cintia Maria Annichino. “O Salmo 150 de Ernest Mahle: questões composicionais e interpretativas.” Master’s thesis, Universidade de São Paulo, 2002.Source: Master’s Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Plinkiewisch, Helen
Year: 1955
Complete Citation:
Plinkiewisch, Helen. “A contribution to the understanding of the Music of Charles Ives, Roy Harris and Aaron Copland: a report of a type C project.” D.M.E. diss., Columbia University, 1955.Source: D.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Pollack, Howard
Year: 1999
Complete Citation:
Pollack, Howard. Aaron Copland: The Life and Work of an Uncommon Man. New York, NY: Henry Holt and Co., 1999.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Pollack, Howard. George Gershwin: His Life and Work. Berkeley, CA: University of California Press, 2006.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Porter, Ellen Jane Lorenz
Complete Citation:
Porter, Ellen Jane Lorenz. “A Treasure of Camp-Meeting Spirituals.” Ph.D. diss., Union Graduate School, Cincinnati, Ohio, 1978.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Pouzzi, Raffaele, and Louise Forster
Year: 1988
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Preissing, Christopher Andrew
Year: 2008
Complete Citation:
Preissing, Christopher Andrew. “Intermedical relationships among component arts in combined art works.” D.M.A. diss., University of Illinois at Urbana-Champaign, 2008.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Priest, Charles T.
Year: 2008
Complete Citation:
Priest, Charles T. “Regionalism in Selected Musical Works of Charles Faulkner Bryan (1911–1955).” D.M.A. diss., The Southern Baptist Theological Seminary, 2008.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Pütz, Werner, Peter Virnich, and Peter Winz-Luckei
Year: 1987
Complete Citation:
Putz, Werner, Peter Virnich, and Peter Winz-Luckei. “Neue Musik handelnd erfahren: Eine Unterrichtsreihe zu Charles Ives und John Cage.” Musik und Bildung 19/5 (1987): 350-358.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Quackenbush, Margaret Diane
Year: 1976
Complete Citation:
Quackenbush, Margaret Diane. “Form and texture in the works for mixed chamber ensemble by Charles Ives.” M.A. Thesis, University of Oregon, 1976.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Ramey, Phillip
Year: 1978
Complete Citation:
Ramey, Phillip. “A Talk with Samuel Barber.” Liner notes for Songs of Samuel Barber and Ned Rorem. New World Records 229, 1978, 33.3 RPM.Source: Liner notes
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Randall, Todd J.
Year: 1993
Complete Citation:
Randall, Todd J. “Charles Ives and his champions.” B.A. Honors Thesis, State University of New York College, Geneseo, 1993.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Rangell, Andrew
Year: 1976
Complete Citation:
Rangell, Andrew. “The violin-piano sonatas of Charles Ives: an analytical discussion.” D.M.A. Thesis, The Juilliard School, 1976.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Rao, Nancy Yunhwa
Year: 2014
Complete Citation:
Rao, Nancy Yunhwa. “Allegro Scorrevole in Carter’s First String Quartet: Crawford and the Ultramodern Inheritance.” Music Theory Spectrum 36/2 (2014): 181-202.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rarig, Howard Raymond
Year: 1952
Complete Citation:
Rarig, Howard Raymond. “The second string quartet of Charles Ives.” M.M. Thesis, Ithaca College, 1952.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rathert, Wolfgang
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Musik als Philosophie—Ives und Cage in der Nachfolge des Transzendentalismus.” In Der Hang zum Gesamtkunstwerk: Europäische Utopien seit 1800, 53-59. Berlin, Germany: Berliner Künstlerprogramm des DAAD, 1983.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Ives-Studien.” Ph.D. diss., Freie Universität Berlin, 1987.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Studien zum Werk von Charles Ives.” Ph.D. dis-s., Freie Universität Berlin, 1987.Notes: Revised and printed: The Seen and the Unseen: Studien zum Werke von Charles Ives. (1991)
Source: Ph.D. Dis-sertation
Reprints: Rathert, Wolfgang. <i>The Seen and the Unseen: Studien zum Werke von Charles Ives</i>. Berliner Musikwissenschaftliche Arbeiter, 38. Series edited by Carl Dahlhaus and Rudolf Stephan. Munich/Salzburg, Germany: Musikverlag Emil Katzbichler, 1991.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1989
Complete Citation:
Rathert, Wolfgang. “Aspekte Asthethik Modernität bei Ives und Mahler.” In Das Gustav-Mahler-Fest: Bericht über der Internationalen Gustav Mahler Kongress, edited by Matthia Theodor Vogt, 333-444. Kassel, Germany: Bärenreiter, 1991.Source: Chapter in Book/Conference Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives: Gibt es eine 'geheime Zeitgenossen- schaff?” Neue Zeitschrift für Musik 151/10 (October 1990): 7-12.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers