Cowell, Henry
Year: 1928
Complete Citation:
Cowell, Henry. “Four Little Known Modern Composers.” Aesthete Magazine, August 1928, p. 1, 19-20.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Cowell, Henry. “New Terms for New Music.” Modern Music 5/4 (May--June 1928): 21--27.Notes: Uses chords in <i>Premonitions </i>as examples of poly--harmonic succession.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1929
Complete Citation:
Cowell, Henry. “Who Are the Composers in America.” Musvkai Revoliutsiia [Music and Revolution, Moscow] (1929).Source: Journal
Reprints: Cowell, Henry. “Who Are the Composers in America?” <i>Russkv <br></i><i>Golos New York </i>(February 23, 1930).
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1930
Complete Citation:
Cowell, Henry. “Music: Three Native Composers.” New Freeman 1, May 3, 1930, 184-186.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1930
Complete Citation:
Cowell, Henry. “Bericht aus Amerika. 2. Die beiden wirklichen Amerikaner: Ives and Ruggles.” Melos 9 (October 1930): 417-420.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1932
Complete Citation:
Cowell, Henry. “Who Writes in the Idiom of America?” San Francisco Examiner. August 14, 1932, sec. E: 6.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1932
Complete Citation:
Cowell, Henry. “American Composers.” In Proceedings of the Ohio State Educational Conference: Twelfth Annual Session, April 7-9, 1932, 377-379.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Cowell, Henry. “Who is the Greatest Living Composer?” Northwest Musical Herald. January 1933: 55.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1934
Complete Citation:
Cowell, Henry. “Music.” Americana Annual: An Encyclopedia of Current Events (1934): 393.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Cowell, Henry. “On Programming American Music.” Music Clubs Magazine 31/5 (May 1952): 23.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1963
Complete Citation:
Cowell, Henry. “Homage to Charles Ives.” In Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters, No. 13 (1963): 263.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Cowell, Henry. Essential Cowell: selected writings on music. Edited by Dick Higgins. Kingston, NY: Documentext, 2001.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cowell, Sidney
Year: 1990
Complete Citation:
Cowell, Sidney. “The Cowells and the Written Word.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja 79-91. Ann Arbor: University of Michigan Press, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cox, Paul Walthen
Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.Notes: Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Cox, Paul Wathen
Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Crain, Timothy Mark
Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Crook, David W.
Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Cuffiani, Barbara
Year: 1996
Complete Citation:
Cuffiani, Barbara. “Gli Studi per pianoforte di Charles Edward Ives: studio sulla genesi e la tradizione dei testi musicali.” Ph.D. diss., Università di Pavia, 1996.Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Curtis, Daniel
Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Dahlhaus, Carl
Year: 1970-1971
Complete Citation:
Dahlhaus, Carl. “Aussenseiter der Neuen Musik: Charles Ives und Edgard Varese.” In "Bericht über den internationalen Kongreß" Bonn 1970, edited by Carl Dahlhaus, 299. Kassel, Germany: Bärenreiter Verlag, 1971.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers