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Bibliography

Badolato, James Vincent

Year: 1978
Complete Citation:
Badolato, James Vincent. “The Four Symphonies of Charles Ives: A Critical, Analytical Study of the Musical Style of Charles Ives.” Ph.D. diss., Catholic University, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Baggiani, Guido

Year: 1977
Complete Citation:
Baggiani, Guido, “Ives and Our Music Today.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 228-230. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bagwell, James

Year: 1999
Complete Citation:
Bagwell, James. “Innovation and synthesis: the Psalm settings of Charles Ives.” D. Mus. Thesis, Indiana University, 1999.
Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Baisley, Robert W.

Year: 1975
Complete Citation:
Baisley, Robert W. “Charles Wakefield Cadman: Completely American.” Music Educators Journal, vol. 61, no. 9 (1975): 57-58.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ballard, Lincoln

Year: 2004
Complete Citation:
Ballard, Lincoln. “Scriabin and Ives: An Unanswered Question?” Journal of the Scriabin Society of America 9 (2004): 37-61.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2005
Complete Citation:
Ballard, Lincoln. “Charles Ives and Scriabin: An Unanswered Question?” Lecture, Society for American Music National Meeting, Eugene, Oregon, February 17, 2005.
Source: Public Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Banks, Timothy Paul

Year: 1985
Complete Citation:
Banks, Timothy Paul. “Psalm 90 and Harvest home chorales by Charles Ives: a history and performance analysis.” D.M.A. Dissertation, University of Colorado, 1985.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bardi, Aloma

Year: 2004
Complete Citation:
Bardi, Aloma. “L’eccentrico assicuratore Ives” (24--25). Il Giornale della Musica 20/204 (May 2004): 24--26.
Notes:

Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bardi, Aloma, ed.

Year: 2004
Complete Citation:
Bardi, Aloma, ed.“Ives, un Padre del Novecento.” Il Giornale della Musica 20/204 (May 2004): 24--26.
Notes:

A group of articles for the fiftieth anni-versary of Ives’s death. Color photograph of Ives by George Grayson Tyler on the cover. [Ives: Father of the New Century].

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Barnettt, Christina Powers

Year: 1986
Complete Citation:
Barnettt, Christina Powers. “Charles Ives: 114 Songs and Transcendental Philosophy.” D.M.A. Dissertation, University of Texas at Austin, 1986.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Baron, Carol K.

Year: 2003
Complete Citation:
Baron, Carol K. “‘Father Knew (and Filled Me Up with) Bach’: Bach and Ives—Affinities in Lines and Spaces.” In Bach Perspectives: Vol. 5: Bach In America, edited by Stephen A. Crist, 151-178. Urbana, IL: University of Illinois Press, 2003.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Baskerville, David Ross

Year: 1965
Complete Citation:
Baskerville, David Ross. “Jazz influence on art music to mid-century.” Ph.D. diss., University of California, Los Angeles, 1965.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bassi, Adriano

Year: 1998
Complete Citation:
Bassi, Adriano. “Da Gershwin ad Ives nell’America del ‘900.” Ras- segna musicale curci quadrimestrale 51 (May 1998): 33--35.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bayne, Harry McBrayer

Year: 1990
Complete Citation:
Bayne, Harry McBrayer. 1990. “A Critical Study of Henry Bellamann's Life and Work.” Ph.D. diss., University of Mississippi.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Beal, Amy C.

Year: 2008
Complete Citation:
Beal, Amy C. “Experimentalists and Independents are Favored: John Edmunds in Conversation with Peter Yates and John Cage, 1959-1961.” Notes 64, no. 4 (June 2008): 659-687.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Beck, Jill

Year: 1985
Complete Citation:
Beck, Jill. “Principles and Techniques of Choreography: A Study of Five Choreographers from 1983.” Ph.D. diss., City University of New York, 1985.
Notes:

Analysis of the choreographers' works using Labanotation score and video documentation. Also on videocassette {E309}.<br>Prf: 2003 December 6: Slippery Rock, PA; Slippery Rock Univer-sity of Pennsylvania.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Beckerman, Michael

Year: 2003
Complete Citation:
Beckerman, Michael. New Worlds of Dvorak: Searching in America for the Composer’s Inner Life. New York, NY: W.W. Norton, 2003.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bell, Michael

Year: 2009
Complete Citation:
Bell, Michael. “CD Reviews: “Variations on America.”” Organists’ Review, Vol. 95, No. 4 (2009): 83.
Source: Journal (recording review)
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Belland, Anna

Year: 1981
Complete Citation:
Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski, Dallapiccola- A Discussion of Their Styles and Forms.” D. Mus. dissertation, Indiana University, 1981.
Notes:

“Charles Ives: Varied Air and Variations” (p. 3-20).

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1981
Complete Citation:
Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski, Dallapiccola: A Discussion of Their Styles and Forms.” D. Mus. diss., Jacobs School of Music, Indiana University, 1981.
Notes:

Includes chapter “Charles Ives: Varied Air and Variations”

Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations