Image
Complete Citation:
Niemöller, Klaus Wolfgang. John Cage und das Zeitproblem in der Musik des 20. Jahrhunderts. Regensburg, Germany: Gustav Bosse Verlag, 1990.
Bibliography
Genres
Niemöller, Klaus Wolfgang
Year: 1990
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Noble, David W.
Year: 1970
Complete Citation:
Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Norman Holmes Pearson
Year: 1966
Complete Citation:
Pearson, Norman Holmes. “Revelation in Words.” The New York Times, March 20, 1966, 292.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
North, Cheryl
Year: 2010
Complete Citation:
North, Cheryl. “Classical Music: Russian Composer Files a Response to Charles Ives.” Oakland Tribune, February 22, 2010.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
North, William Sills Wright
Year: 1965
Complete Citation:
North, William Sills Wright. “Ned Rorem as a twentieth century song composer.” D.M.A. diss., University of Illinois, 1965.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Notley, Margaret
Year: 2000
Complete Citation:
Notley, Margaret. ““With a Beethoven-Like Sublimity”: Beethoven in the Works of Other Composers.” In The Cambridge Companion to Beethoven, edited by Glenn Stanley. Cambridge, United Kingdom: Cambridge University Press, 2000.Source: Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
O’Donnell, Shaugn
Year: 2010
Complete Citation:
O’Donnell, Shaugn. “American Chaos: Charles Ives and the Grateful Dead.” In The Grateful Dead in Concert: Essays on Live Improvisation, edited by Jim Tuedio and Stan Spector. Jefferson, NC: McFarland, 2010.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
O’Donnell, Shaugn J.
Year: 1997
Complete Citation:
O’Donnell, Shaugn J. “Transformational voice leading in atonal music.” Ph.D. diss., City University of New York, 1997.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
O’Kelly, Kevin
Year: 1989
Complete Citation:
O’Kelly, Kevin. “The Songs of Charles Ives and the Cultural Contexts of Death.” Ph.D. diss., University of North Carolina, 1989.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
O’Malloch, William
Year: 1966
Complete Citation:
Malloch, William. “More Stravinsky by Stravinsky—And Ivesian Explorations.” High Fidelity 10, no. 8 (August 1966): 12, 15, and 18.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Oestreich, James
Year: 2007
Complete Citation:
Oestreich, James. “Beethoven to Brahms to Ives: Tribute to a Tortured Legacy.” The New York Times, June 9, 2007, B15.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Offergeld, Robert
Year: 1986
Complete Citation:
Offergeld, Robert. “More on the Gottschalk-Ives connection.” Institute for Studies in American Music Newsletter 15/2 (May 1986): 1-2, 13.Source: Journal/Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Oja, Carol J.
Year: 1988
Complete Citation:
Oja, Carol J. “Cos Cob Press and the American Composer.” Notes 45, no. 2 (December 1988): 227.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Olson, Mark
Year: 2006
Complete Citation:
Olson, Mark. “Parallel Lives: Charles Ives and Aaron Copland: A Listener’s Guide.” Music Educators Journal 92, no. 4, (March 2006): 20.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Orr, N. Lee
Year: 2008
Complete Citation:
Orr, N. Lee. Dudley Buck, 51-52. Urbana, IL: University of Illinois Press, 2008.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Osowski, Kenneth M.
Year: 2005
Complete Citation:
Osowski, Kenneth M. “The continuing spirit of Emerson and Beethoven in Ives's Concord sonata.” D.M.A. thesis, Peabody Conservatory of Music, 2005.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Overbeeke, Emanuel
Year: 2002
Complete Citation:
Overbeeke, Emanuel. “Boeken: “American Mavericks,” bij Susan Key and Larry Rothe (ed.).” Mens en Melodie, Vol. 57, No. 6 (2002): 232-233.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Owens, Thomas
Year: 2005
Complete Citation:
Owens, Thomas. “Chord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives’s Music.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Owens, Thomas Clarke
Year: 1999
Complete Citation:
Owens, Thomas Clarke. "Charles Ives and his American context: images of "Americanness" in the arts.” Ph.D. diss., Yale University, 1999.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Owens, Tom
Year: 2006
Complete Citation:
Owens, Tom. “Concord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives's Music.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.Source: Paper at Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers