Image
Complete Citation:
Andrew Love. “Improvising Their Future: Shamanic Hope in Ives, Schoenberg, Cage, Cardew, Rzewski and Messiaen.” Tempo, vol. 60, no. 237 (2006): 24-32.
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Source: Journal
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E. Comparisons and Relationships with Other Composers, Artists, and Writers
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Complete Citation:
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Complete Citation:
Macdonald, Calum. Charles Ives: the unanswered question, Barbican Centre Friday 19 - Sunday 21 January, 1996. London, United Kingdom: BBC Radio 3, 1995.Source: Program Book
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Maisel, Arthur
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Complete Citation:
Maisel, Arthur. “Conference: Ives.” Musical Times 130/106 (February 1989): 107.Notes:
Report on meeting of the New York Chapter of the American Musicological Society in the Sulzburger Parlour of Barnard College, Columbia University, New York. Session regarding claims set forth by Maynard Solomon. H. Wiley Hitchcock, moderator, with a panel of James Sinclair, Paul Echols, Philip Lambert, J. Peter Burkholder, and Vivian Perlis. Solomon was present to respond.
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Complete Citation:
Maisel, Edward M. Charles T. Griffes. New York, New York: Alfred A. Knopf Co., 1943.Source: Book
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Complete Citation:
Manfred, Frederick. “Ives and Faulkner.” Student Musicologists at Min-nesota 6 (1975-76): 1-4.Source: Journal
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Complete Citation:
Marcotte, Gilles. “Des Musiques Qui Parlent.” Liberté 39/3 (June 1997): 180-186.Source: Journal
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Complete Citation:
Marshall, Ingram. “John Adams on conducting Ives.” In The John Adams reader: essential writings on an American composer, edited by Thomas May, 264-270. Pompton Plains, NJ: Amadeus, 2006.Source: Chapter in Book
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Complete Citation:
Mattner, Lothar. “Komponierren ohne Heiligenschein: Kölner Festival: ‘Charles Ives und die amerikanische Musik.’” Neue Zeitschrift für Musik 149 (May 1988): 46.Source: Journal
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Complete Citation:
McCalla, James. “Before World War I: Ravel, Schoenberg, Webern, Stravinsky, and Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.VI. Topical Studies
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Complete Citation:
McCorkle, Donald, ed. “The Composer in Academia: Reflections on a Theme of Stravinsky.” College Music Symposium, Vol. 10 (Fall 1970): 57-58. Notes:
<a target="_blank" href="https://symposium.music.org/index.php/10/item/1674-the-composer-in-acad… mentions of Ives. Published online at https://symposium.music.org/index.php/10/item/1674-the-composer-in-acad…;
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Complete Citation:
McLellan, Joseph. “Unanswered Questions: Abounding Unanswered Questions about Charles Ives.” The Washington Post, October 20, 1974, E1.Source: Newspaper
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E. Centenary
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Year: 1975
Complete Citation:
McLellan, Joseph. “Centennial: Schoenberg and Ives: Recordings Two Record Centennials: Schoenberg and Ives.” The Washington Post, August 24, 1975, 145.Source: Newspaper
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E. Centenary
E. Centenary
Mead, Rita H.
Year: 1980
Complete Citation:
Mead, Rita H. “Cowell, Ives, and New Music.” Musical Quarterly 66, No. 4 (October 1980).Source: Journal
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E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1981
Complete Citation:
Mead, Rita H. Henry. “Cowell’s “New Music,” 1925-36: The Society, the Music Editions and the Recordings.” Studies in Musicology No. 40. Ann Arbor, MI: UMI Research Press, 1981.Source: Book
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E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1982
Complete Citation:
Mead, Rita H. “Henry Cowell’s New Music.” The Journal of Musicology 1, No. 4 (October 1982).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
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Complete Citation:
Mead, Rita H. “The Amazing Mr. Cowell.” American Music 1/4 (Winter 1983): 63-89.Source: Journal
VI. Topical Studies
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E. Comparisons and Relationships with Other Composers, Artists, and Writers
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Year: 2011
Complete Citation:
Méfano, Paul. “Méfano, Paul (1937).” In Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 174-176. Woodbridge, United Kingdom: Boydell and Brewer, 2011.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers