Image
Complete Citation:
Swed, Mark. “Henry Brant and His Space-Time Music.” The Wall Street Journal, 1992.
Bibliography
Genres
Swed, Mark
Year: 1992
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Mark Swed. “Ives by BBC: Questions Raised and An-swered,” review of The Unanswered Question Festival; January 19 to 21: London. American Record Guide 59/4 (July-August): 38, 42.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2004
Complete Citation:
Swed, Mark. “Classical Music; CRITIC’S NOTEBOOK; an Overlooked Original; Germans Honored the 50th Anniversary of Charles Ives’ Death with Concerts and a Symposium, but it's Getting Little Attention in the U.S.: HOME EDITION.” The Los Angeles Times, April 4, 2004.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
Year: 2020
Complete Citation:
Swed, Mark. “The Ives of March; Dudamel Brings the Power with an Early 20th Century Firebrand.” The Los Angeles Times, March 5, 2020.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Year: 2020
Complete Citation:
Swed, Mark. “Culture Monster; Music Review; Remastered Hits; Gustavo Dudamel Presents a Bold Theory in Dvorak-Ives Pairing.” The Los Angeles Times, February 26, 2020.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Tangeman, Robert
Year: 1945
Complete Citation:
Tangeman, Robert. “The Songs of Theodore Chanler.” Modern Music (May-June 1945) 22/4: 227.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tanner, Michael
Year: 2019
Complete Citation:
Tanner, Michael. “Classical: Lili and Nadia Boulanger/ Charles Ives.” The Spectator (2019).Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Taruskin, Richard
Year: 2000
Complete Citation:
Taruskin, Richard. “Corralling a Herd of Musical Mavericks.” The New York Times, July 23, 2000.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2000
Complete Citation:
Taruskin, Richard. “Corralling a Herd of Musical Mavericks.” The New York Times, July 23, 2000, sec. B, 1.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
B. Concert Series
Year: 2004
Complete Citation:
Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” The New York Times. May 16, 2004, sec. 2: 26, 28.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2009
Complete Citation:
Taruskin, Richard. “Corraling a Herd of Musical Mavericks.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 153-160. Berkeley, CA: University of California Press, 2009.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2009
Complete Citation:
Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 186-190. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tawa, Nicholas E.
Year: 1984
Complete Citation:
Tawa, Nicholas E. Serenading the Reluctant Eagle: American Musical Life, 1925-1945. New York, NY: Schirmer [Macmillan], 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Tawa, Nicholas E. “Ives and the New England School.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 51-72. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Tawa, Nicholas E. “Amy Beach and Charles Ives.” In From Psalms to Symphony: A History of Music in New England, 213-226. Boston, MA: Northeastern University Press, 2001.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Teachout, Terry
Year: 1997
Complete Citation:
Teachout, Terry. “Cross Over, Beethoven.” Time 149/13, March 31, 1997.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Terse, Paul
Year: 1987
Complete Citation:
Terse, Paul. Charles Ives und die amerikanische Musik bis zur Gegenwart: Begleitschr. zur Ausstellung Niederrheinisches Museum d. Stadt Duisburg, 13. September bis 1. November 1987. Duisburg, Germany: Stadt Duisburg, 1987.Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Thompson, Howard
Year: 1980
Complete Citation:
Thompson, Howard. “Going Out Guide: Ives and Ivories Listening Rooms Learning, Staging, Playing.” The New York Times, April 16, 1980, C19.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Thompson, Randall
Year: 1932
Complete Citation:
Thompson, Randall. “The Contemporary Scene in American Music.” Musical Quarterly 18 (January 1932): 9-17.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Thomson, Virgil
Year: 1947
Complete Citation:
Thomson, Virgil. “Cowell’s Magazine.” New York Herald Tribune, No-vember 2, 1947, sec. 5, 6.Notes:
Indicates that Ives did not approve of copyright and that he “insists that his works be always in the public domain.”
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers