Cowell, Henry
Year: 1928
Complete Citation:
Cowell, Henry. “New Terms for New Music.” Modern Music 5/4 (May--June 1928): 21--27.Notes: Uses chords in <i>Premonitions </i>as examples of poly--harmonic succession.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Cowell, Henry. “Four Little Known Modern Composers.” Aesthete Magazine, August 1928, p. 1, 19-20.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Cowell, Henry. “Compositores Modernos de los Estados Unidos.” Musical Havana 1 (November-December 1928): 124-127.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1929
Complete Citation:
Cowell, Henry. “Who Are the Composers in America.” Musvkai Revoliutsiia [Music and Revolution, Moscow] (1929).Source: Journal
Reprints: Cowell, Henry. “Who Are the Composers in America?” <i>Russkv <br></i><i>Golos New York </i>(February 23, 1930).
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1930
Complete Citation:
Cowell, Henry. “Bericht aus Amerika. 2. Die beiden wirklichen Amerikaner: Ives and Ruggles.” Melos 9 (October 1930): 417-420.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1930
Complete Citation:
Cowell, Henry. “Music: Three Native Composers.” New Freeman 1, May 3, 1930, 184-186.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1932
Complete Citation:
Cowell, Henry. “American Composers.” In Proceedings of the Ohio State Educational Conference: Twelfth Annual Session, April 7-9, 1932, 377-379.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1932
Complete Citation:
Cowell, Henry. “Who Writes in the Idiom of America?” San Francisco Examiner. August 14, 1932, sec. E: 6.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Cowell, Henry. “Who is the Greatest Living Composer?” Northwest Musical Herald. January 1933: 55.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1934
Complete Citation:
Cowell, Henry. “Music.” Americana Annual: An Encyclopedia of Current Events (1934): 393.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Cowell, Henry. “On Programming American Music.” Music Clubs Magazine 31/5 (May 1952): 23.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1963
Complete Citation:
Cowell, Henry. “Homage to Charles Ives.” In Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters, No. 13 (1963): 263.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Cowell, Henry. Essential Cowell: selected writings on music. Edited by Dick Higgins. Kingston, NY: Documentext, 2001.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cowell, Henry, ed.
Year: 1933
Complete Citation:
Cowell, Henry, ed. “American Composers on American Music: A Symposium.” Stanford, California: Stanford University Press, 1933.Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Cowell, Sidney
Year: 1990
Complete Citation:
Cowell, Sidney. “The Cowells and the Written Word.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja 79-91. Ann Arbor: University of Michigan Press, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Crunden, Robert M.
Year: 1977
Complete Citation:
Crunden, Robert M. “Charles Ives’s Place in American Culture.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchchock and Vivian Perlis, 4-15. Urbana: University of Illinois Press, 1977.Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Crutchfield, Will
Year: 1984
Complete Citation:
Crutchfield, Will. “Danbury Celebrates a Favorite Son, Charles Ives.” The New York Times, September 28, 1984, sec. 3: 3.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Dahlhaus, Carl
Year: 1970-1971
Complete Citation:
Dahlhaus, Carl. “Aussenseiter der Neuen Musik: Charles Ives und Edgard Varese.” In "Bericht über den internationalen Kongreß" Bonn 1970, edited by Carl Dahlhaus, 299. Kassel, Germany: Bärenreiter Verlag, 1971.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Daniel, Oliver
Year: 1955
Complete Citation:
Daniel, Oliver. “The New Festival.” American Composers Alliance Bulletin 5/1 (1955): 3-9, 14-23.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1967
Complete Citation:
Daniel, Oliver. “Lou Harrison.” BMI: The Many Worlds of Music (Jan-uary 1967): 10.Notes: Numerous Ives references; mentions the premiere of Sym-phony No. 3 (1956 April 5) and Harrison’s orchestral tribute on Ives's death, “At the Tomb of Charles Ives.”
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers