Image
Complete Citation:
Jacobson, Bernard. “The ‘In’ Composers: Mahler, Ives, Nielsen, Sibelius, Vivaldi, Berlioz—Are They Permanent Classics or Just Temporary Fads?” High Fidelity/Musical America 19/7 (July 1969): 54-57.
Bibliography
Genres
Jacobson, Bernard
Year: 1969
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Johnson, Lockrem
Year: 1960
Complete Citation:
Johnson, Lockrem. “Reviewed Works: Robert Browning Overture, for Large Orchestra by Charles E. Ives; The Rainbow (After the Poem by William Wordsworth), for Chamber Orchestra. [Flute, Basset or English Horn, str. and Piano] by Charles E. Ives; Persian Set. [Picc. (Or Fl.), Cl. Tar. (Or Guitar or Mandolin), Dr. (Persian Dr. or Tom-Tom), Vlns. I, II, III, Vc., Cb., Piano] by Henry Cowell.” Notes, vol. 17, no. 4 (September 1960): 656-657.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Johnston, Walter E.
Year: 1985
Complete Citation:
Johnston, Walter E. “Style in W. C. Williams and Charles Ives.” Twentieth Century Literature, vol. 31, no. 1 (1985): 127-136.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1985
Complete Citation:
Johnston. Walter. “Style in W.C. Williams and Charles Ives.” 20th Century Literature 31 (Spring 1985): 127-136.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kakinuma, Toshie, and Mamoru Fujieda
Year: 1989
Complete Citation:
Kakinuma, Toshie, and Mamoru Fujieda. “‘I Am One of Mr. Ives' Legal Heirs’: An Interview with Lou Harrison.” Sonus: A Journal of Investigations into Global Musical Possibilities 9/2 (Spring 1989): 46-58.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kay, Norman
Year: 1970-71
Complete Citation:
Kay, Norman. “Aspects of Copland's Development.” Tempo 95 (Winter 1970-71): 23-29.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kearns, William K.
Year: 1990
Complete Citation:
Kearns, William K. Horatio Parker (1863-1919): His Life, Music, and Ideas. Metuchen, NJ: The Scarecrow Press, 1990.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kerr, Harrison
Year: 1934
Complete Citation:
Kerr, Harrison. “Contemporary Music in New York. I—The Pan-Ameri-cans.” Trend 2/3 (May-June 1934): 145.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Keys, Ivor
Year: 1952
Complete Citation:
Keys, Ivor. “Sonata No. 3.” Music & Letters 33, no. 1 (January 1952): 91-92.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Kirby, Fred
Year: 1967
Complete Citation:
Kirby, Fred. “Ives Boom Boon to Peer- Southern.” Billboard 79 (April 22, 1967): 32--33.Notes:
Includes comments from Wladimir Lakond, international director of musical education and serious music department of Peer- Southern. States that Peer- Southern has over 100 copyrights of Ives’s music.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Kirkpatrick, John
Year: 1942
Complete Citation:
Kirkpatrick, John. “Aaron Copland's Piano Sonata.” Modern Music 19/4 (May--June 1942): 246-248, 250.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1949
Complete Citation:
Kirkpatrick, John. “Review of ‘Three-Page Sonata,’ [etc.].” Music Library Association Notes, Second Series, Vol. 6, No. 3 (June, 1949).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1961
Complete Citation:
Kirkpatrick, John. “Ives as Revealed in His Marginalia.” Cornell University Music Review, Vol. 4 (1961).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1965
Complete Citation:
Kirkpatrick, John. “Preface.” In Charles Ives — Symphony No. 4. New York, NY: Associated Music Publishers, 1965.Source: Preface
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1968
Complete Citation:
Kirkpatrick, John. “The Evolution of Carl Ruggles: A Chronicle Largely in His Own Words.” Perspectives of New Music (Spring-Summer, 1968): 146-166.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, Central Park in the Dark, edited by John Kirkpatrick and Jacques- Louis Monod, 32. Hillsdale, NY: Boelke- Bomart, 1973.Source: Essay in Score
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1973
Complete Citation:
Kirkpatrick, John. “Editor's Note.” In Charles E. Ives, Turn Ye, Turn Ye, edited by John Kirkpatrick, 2-4. Bryn Mawr, PA: Mercury Music, 1973.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles E. Ives, Study No. 21: Some South--Paw Pitching!, edited by John Kirkpatrick, 7-12. Bryn Mawr, PA: Mercury Music, 1975.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1984
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles E. Ives, Trio for Violin, Violoncello, and Piano, edited by John Kirkpatrick. New York, NY: Peer International, 1984.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Kirkpatrick, John.
Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, The Pond, 8. Hillsdale, NY: Boelke--Bomart, 1973.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices