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Complete Citation:
Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.
Bibliography
Genres
Nagano, Kent
Year: 2019
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Nelson, Mark D.
Year: 2011
Complete Citation:
Nelson, Mark D. “New Materials - Reviews: Tuba - “Four Songs,” by Charles Ives.” ITEA Journal, Vol. 38, No. 2 (2011): 17-18.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Nemet, Mary
Year: 2017
Complete Citation:
Nemet, Mary. “Charles Ives: String Quartet No. 2.” Strings, vol. 31. (2017).Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Newman, William S.
Year: 1954
Complete Citation:
Newman, William S. Review of “Charles Ives: First Sonata for Piano.” Notes 12, no. 2 (March 1955): 331.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Nicholls, D.
Year: 2006
Complete Citation:
Nicholls, David. Review of Charles Ives, 129 Songs, edited by H. Wiley Hitchcock. Notes, Vol. 62, No. 3 (2006): 794-796.Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Nicholls, David
Year: 2006
Complete Citation:
Nicholls, David. “Music Reviews: Critical Editions: Charles Ives.” Notes (2006): 794-796.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Niemöller, Klaus Wolfgang
Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang. John Cage und das Zeitproblem in der Musik des 20. Jahrhunderts. Regensburg, Germany: Gustav Bosse Verlag, 1990.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Noble, David W.
Year: 1970
Complete Citation:
Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Norman Holmes Pearson
Year: 1966
Complete Citation:
Pearson, Norman Holmes. “Revelation in Words.” The New York Times, March 20, 1966, 292.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
North, Cheryl
Year: 2010
Complete Citation:
North, Cheryl. “Classical Music: Russian Composer Files a Response to Charles Ives.” Oakland Tribune, February 22, 2010.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Noss, Luther
Year: 1950
Complete Citation:
Noss, Luther. Review of “Charles Ives: Variations on ‘America’ (1891); ‘Adeste Fideles’ in an Organ Prelude (1897).” Notes 7, no. 3 (June 1950): 446.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Notley, Margaret
Year: 2000
Complete Citation:
Notley, Margaret. ““With a Beethoven-Like Sublimity”: Beethoven in the Works of Other Composers.” In The Cambridge Companion to Beethoven, edited by Glenn Stanley. Cambridge, United Kingdom: Cambridge University Press, 2000.Source: Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
O’Donnell, Shaugn
Year: 2010
Complete Citation:
O’Donnell, Shaugn. “American Chaos: Charles Ives and the Grateful Dead.” In The Grateful Dead in Concert: Essays on Live Improvisation, edited by Jim Tuedio and Stan Spector. Jefferson, NC: McFarland, 2010.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
O’Malloch, William
Year: 1966
Complete Citation:
Malloch, William. “More Stravinsky by Stravinsky—And Ivesian Explorations.” High Fidelity 10, no. 8 (August 1966): 12, 15, and 18.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
O’Neal, Barry
Year: 1980
Complete Citation:
O’Neal, Barry. American art songs: a collection of 20th century songs by American composers from Charles Ives to Elliott Carter: for medium voice & piano. New York, NY: Associated Music Publishers, 1980.Source: Book
X. Editing Practices and Articles Regarding Published Editions
C. Anthology Selections
C. Anthology Selections
Oestreich, James
Year: 2007
Complete Citation:
Oestreich, James. “Beethoven to Brahms to Ives: Tribute to a Tortured Legacy.” The New York Times, June 9, 2007, B15.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Offergeld, Robert
Year: 1986
Complete Citation:
Offergeld, Robert. “More on the Gottschalk-Ives connection.” Institute for Studies in American Music Newsletter 15/2 (May 1986): 1-2, 13.Source: Journal/Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Oja, Carol J.
Year: 1988
Complete Citation:
Oja, Carol J. “Cos Cob Press and the American Composer.” Notes 45, no. 2 (December 1988): 227.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Olson, Mark
Year: 2006
Complete Citation:
Olson, Mark. “Parallel Lives: Charles Ives and Aaron Copland: A Listener’s Guide.” Music Educators Journal 92, no. 4, (March 2006): 20.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Orr, N. Lee
Year: 2008
Complete Citation:
Orr, N. Lee. Dudley Buck, 51-52. Urbana, IL: University of Illinois Press, 2008.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers