Image
Complete Citation:
Pannain, Guido. Modern Composers. Translated from Italian by Michael R. Bonavia. London, United Kingdom: J.M. Dent.
Bibliography
Genres
Pannain, Guido
Year: 1932
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Paul, David C.
Year: 2005
Complete Citation:
Paul, David C. “Conversing Paths to Canonicity: Charles Ives, Gustav Mahler, and American Culture.” Ph.D. diss., University of Cali-fornia at Berkeley, 2005.Notes:
Awarded the Alvin H. Johnson A.M.S. 50 Fellow-ship.
Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Paul, David C. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59/2 (Summer 2006): 399--457.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Paul, David C. 2006. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59, no. 2 (Summer 2006): 399--458.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Perlis, Vivian
Complete Citation:
Perlis, Vivian. “‘Monumenta Americana’ Revisited.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, 439-448. Edited by Richard Crawford, R. Allen Lott, and Carol J. Oja. Ann Arbor: Univer-sity of Michigan Press, 1990.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1993
Complete Citation:
Perlis, Vivian. “Ives and Copland as Subjects of Oral History.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Pestalozza, Luigi
Year: 2000
Complete Citation:
Pestalozza, Luigi. “Busoni e Ives.” Musica/Realtar 21/61 (March 2000): 133-151.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Peterson, Thomas Elliott
Year: 1967
Complete Citation:
Peterson, Thomas Elliott. “The Music of Carl Ruggles in Relation to the 20th Century.” In The Music of Carl Ruggles. Ph.D. diss., University of Washington, 1967.Notes:
Chapter 8 “The Music of Carl Ruggles in Relation to the 20th Century” compares Ruggles to Ives.
Source: Chapter in Ph.D. Disser-tation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Pettitt, Stephen
Year: 2003
Complete Citation:
Pettitt, Stephen. “Emily, Ives and an Everchanging Wind: A Edition.” Standard (London, England), May 12, 2003.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Petzet, John M.
Year: 2011
Complete Citation:
Petzet, John M. “Matthew Harris’s Shakespeare Songs The Bard's Lyrics Meet American Popular Music.” Choral Journal, Vol. 52, No. 1 (2011): 34-49.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Phillips, Burrill
Year: 1951
Complete Citation:
Phillips, Burrill. “Symphony No. 2 for Large Orchestra. New York: Southern Music Publishing Co., 1951.” Notes 9, no. 3 (June 1952): 499-500.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Pollack, Howard
Year: 1999
Complete Citation:
Pollack, Howard. Aaron Copland: The Life and Work of an Uncommon Man. New York, NY: Henry Holt and Co., 1999.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Pollack, Howard. George Gershwin: His Life and Work. Berkeley, CA: University of California Press, 2006.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Pouzzi, Raffaele, and Louise Forster
Year: 1988
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Pütz, Werner, Peter Virnich, and Peter Winz-Luckei
Year: 1987
Complete Citation:
Putz, Werner, Peter Virnich, and Peter Winz-Luckei. “Neue Musik handelnd erfahren: Eine Unterrichtsreihe zu Charles Ives und John Cage.” Musik und Bildung 19/5 (1987): 350-358.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ramey, Phillip
Year: 1978
Complete Citation:
Ramey, Phillip. “A Talk with Samuel Barber.” Liner notes for Songs of Samuel Barber and Ned Rorem. New World Records 229, 1978, 33.3 RPM.Source: Liner notes
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rao, Nancy Yunhwa
Year: 2014
Complete Citation:
Rao, Nancy Yunhwa. “Allegro Scorrevole in Carter’s First String Quartet: Crawford and the Ultramodern Inheritance.” Music Theory Spectrum 36/2 (2014): 181-202.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rathert, Wolfgang
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Musik als Philosophie—Ives und Cage in der Nachfolge des Transzendentalismus.” In Der Hang zum Gesamtkunstwerk: Europäische Utopien seit 1800, 53-59. Berlin, Germany: Berliner Künstlerprogramm des DAAD, 1983.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition.” Musical Quarterly 73 (1989): 575-584.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition,” translated by James Lum. Musical Quarterly 73 (1989): 575-584.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices