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Complete Citation:
Urwin, Ray W. “Reviews of Organ Music: "Postlude in F" by Charles Ives.” Clavier, Vol. 36, No. 3 (1997): 42.
Bibliography
Genres
Urwin, Ray W.
Year: 1997
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Utz, Christian
Year: 2005
Complete Citation:
Utz, Christian. “Bernd Alois Zimmermann und Charles Ives: Schichtungsverfahren, Intertextualität, kulturelle Verotung.” In Bernd Alois Zimmermann, Zeitauffassung und musikalische Poetik. Munich, Germany: Edition Text + Kritik, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vaquero Williams, Claire
Year: 2013
Complete Citation:
Vaquero Williams, Claire. “Discos: Compra segura.” Scherzo: Revista de Música, Vol. 28 (2013): 53.Source: Magazine (recording review)
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vermeulen, Ernst
Year: 1968
Complete Citation:
Vermeulen, Ernst. “Compositions by Louis Andriessen and Peter Schat Incorporating Quotations.” Sonorum Speculum (Summer 1968) 35: 1-12.Notes:
Compares quotations by Louis Andriessen and Peter Schatt with some aspects of Ives’s use of quotation. In English and in Dutch.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vinay, Gianfranco
Year: 1998
Complete Citation:
Vinay, Gianfranco. “Le “son américain” entre utopie et tradition: á l'origine de la musique expérimentale américain (Ives et Cowell).” Revue Belge de Musicologie: Belgisch Tijdschrift voor Muziekwetenschap, Vol. 52 (1998): 91-100.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Vinay, Gianfranco. “Charles Ives tra nostalgia e Utopia.” Il Giornale della Musica 20/204 (May 2004): 26.Notes:
Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Von Glahn, D.
Year: 2006
Complete Citation:
Von Glahn, D. H. Wiley Hitchcock, Charles Ives: 129 Songs. In: American Music, Vol. 24, No. 2 (2006): 228-230.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Walker, Ernest
Year: 1921
Complete Citation:
Walker, Ernest. 1921. “Review of Second Pianoforte Sonata, ‘Concord, Mass., 1840--1860’ and Essays Before a Sonata, by Charles Ives.” Music & Letters 2, no. 3: 287-288.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Warburton, Thomas
Year: 1979
Complete Citation:
Warburton, Thomas. “Orchestral Music by C. Ives.” Notes 36, no. 1 (September 1, 1979): 192.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Warburton, Thomas. “Reviewed Work: Quarter-Tone Chorale by Charles Ives, Alan Stout.” Notes 36, no. 1 (September 1979): 192.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Warburton, Thomas. “Reviewed Work: Quarter-Tone Chorale by Charles Ives, Alan Stout.” Notes 36, no. 1 (September 1979): 192.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Ward, Keith C.
Complete Citation:
Ward, Keith C. “Ives, Schoenberg, and the Musical Ideal.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 87-104. New Haven, CT: Yale University Press, 1996.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Waters, Edward N.
Year: 1941
Complete Citation:
Waters, Edward N. “Panorama de las publicationes musicales.” Boletín Latino-Americano de Música 5/5 (October 1941): 289-322.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Webb, John
Year: 1992
Complete Citation:
Webb, John. “Schnittke in Context.” Tempo 182 (September 1992): 19-22.Notes:
Composer Schnittke tells of influence of Mahler and Ives. Considers each to be polystylistic.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Weischollek, Dirk
Year: 2011
Complete Citation:
Weischollek, Dirk. “Gustav Mahler und Charles Ives - Heterogenität als Welterfahrung.” In Wo die schönen Trompeten blasen: vokale und instrumentale Semantik im Werk Gustav Mahlers, edited by Heister, Hanns-Werner. Berlin, Germany: Weidler Buchverlag, 2011.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wells, William B.
Year: 1974
Complete Citation:
Wells, William B. “Sacred Choral Octavos” and “Psalm 150.” Notes 30, no. 3 (1974): 634-640.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Whallen, Evan
Year: 1954
Complete Citation:
Whallen, Evan. “Review of ‘The Unanswered Question’ and ‘Calcium Night Light.’” Music Library Association Notes, Second Series, Vol. 11, No. 4 (September 1954).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
White, Michael J.
Year: 1982
Complete Citation:
White, Michael J. “Hazel Smith in Ives.” The Guardian, June 12, 1982, 12.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Whitmer, T. Carl
Year: 1929
Complete Citation:
Whitmer, T. Carl. “New Music.” The Musical Forecast (March 1929): 5-6.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Wicks, John D.
Year: 1964
Complete Citation:
Wicks, John D. “Reviewed Works: Erstes Streichquartett, Op. 69 by Erich Sehlbach; Streichquartett in C., Op. 25. (N., 3295.) by Friedrich Zipp; Secondo quartetto per archi by Kees van Baaren; String Quartet No. 5 (1962) by Walter Piston; String Quartet No. 1 by Anis Fuleihan; String Quartet No. 1 by Charles E. Ives.” Notes, vol. 21, no. 3 (Summer 1964): 453-455.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions