Davis, Ronald L.
Year: 1980
Complete Citation:
Davis, Ronald L. "MacDowell and Ives." In A History of Music in American Life, Vol. 2: The Gilded Years, 1865-1920, 108-38. Huntington, NY: Robert Krieger, 1980.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Davidson, Colleen
Year: 1968-69, 1970-71
Complete Citation:
Davidson, Colleen. “Winston Churchill and Charles Ives: The Progressive Experience in Literature and Song.” Student Musicologists at Minnesota 3 (1968-69): 168-94, and 4 (1970-71): 154-80.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
de la Fuente, Eduardo
Year: 2004
Complete Citation:
de la Fuente, Eduardo. “Max Weber and Charles Ives: The Puritan as Cultural Modernist.” Journal of Classical Sociology 4.2 (July 2004): 191-214.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Denhoff, Michael
Year: 1988
Complete Citation:
Denhoff, Michael. “Stille und Umkehr. Betrachtungen zum Phanomen Zeit.” MusikTexte 24 (1988): 27-38.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Dervan, Michael
Year: 2019
Complete Citation:
Dervan, Michael. “Getting to Know One of the most Unknown of the Unknown Composers: A Peer of Charles Ives and George Gerswhin, Irish-American Pianist and Composer Swan Hennessy has almost been Written Out of Music History.” The Irish Times, March 27, 2019.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Dickinson, Peter
Year: 1984
Complete Citation:
Dickinson, Peter. “Ives Source. Country Band March for Theatre Orchestra [Review of Country Band March by Charles Ives.]” Musical Times 125/1695 (May 1984): 278.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1986
Complete Citation:
Dickinson, Peter. “Reviewed Works: Apparition: Elegiac Songs and Vocalises for Soprano and Amplified Piano by George Crumb; Songs by Charles Ives.” American Music 4, No. 2 (Summer, 1986): 233-235.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2006
Complete Citation:
Dickinson, Peter. “Hitchcock's Ives: A New Edition of 129 Songs.” Music & Letters, vol. 87, no. 4 (2006): 606-613.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2011
Complete Citation:
Dickinson, Peter. Review of The Third Symphony of Charles Ives, by Mark Zobel. Music & Letters, Vol. 92, No. 1 (2011): 168-171.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2013
Complete Citation:
Dickinson, Peter. “Charles E. Ives, Symphony No. 4. Edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Charles Ives Society Performance Edition, 2011. Realized and edited by Thomas M. Brodhead…” Music & Letters, Vol. 94, No. 2 (2013): 360-362.Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2016
Complete Citation:
Dickinson, Peter. “Charles Ives and Aaron Copland.” In Words and Music. Woodbridge, United Kingdom: The Boydell Press, 2016.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Downes, Olin
Year: 1925
Complete Citation:
Downes, Olin. “Franco-American Musical Society.” The New York Times. February 15, 1925.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1927
Complete Citation:
Downes, Olin. “Music: Pro-Musica Society.” The New York Times. January 30, 1927, 28.Source: Newspaper
Reprints: Downes, Olin. “Music: Pro-Musica Society.” In <i>Charles Ives and His World</i>, 293-295. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Drees, Stefan
Year: 2011
Complete Citation:
Drees, Stefan. Besprechungen: Dorothea Gail “Charles E. Ives’ ‘Fourth Symphony.’” Die Musikforschung, Vol. 64, No. 2 (2011): 191-192.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Drew, James
Year: 1970
Complete Citation:
Drew, James. “Modern Music and the Debt to Charles Ives. Parts I and II.” Yale Reports. December 27, 1970 and January 3, 1971.Source: University Publication
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Dumm, Robert W.
Year: 1961
Complete Citation:
Dumm, Robert W. “Wallingford Riegger: ‘It Won’t Last’.” The Christian Science Monitor, 1961, 10.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E.R.
Year: 1965
Complete Citation:
E.R. Review of Variations on ‘America’. Arranged for Orchestra by Charles Ives, William Schuman. Music & Letters, vol. 46, no. 4, 1965, 377-378.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Edwards, Allen
Year: 1971
Complete Citation:
Edwards, Allen. Flawed Words and Stubborn Sounds: A Conversation with Elliot Carter. New York, NY: W.W. Norton & Company, Inc., 1971.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Eger, Joseph
Year: 1968
Complete Citation:
Eger, Joseph. “Ives and Beatles!” Music Journal 26/9 (September 1968): 46, 70-71.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1968
Complete Citation:
Eger, Joseph. “Ives and the Beatles.” Music Journal (September 1968).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers