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Bibliography

Eatock, Colin

Year: 2013
Complete Citation:
Eatock, Colin. “Marc-Andre Hamelin on the Road Less Travelled.” Queen’s Quarterly 120, no. 2 (Summer 2013): 290.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Edwards, Allen

Year: 1971
Complete Citation:
Edwards, Allen. Flawed Words and Stubborn Sounds: A Conversation with Elliot Carter. New York, NY: W.W. Norton & Company, Inc., 1971.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Eger, Joseph

Year: 1968
Complete Citation:
Eger, Joseph. “Ives and the Beatles.” Music Journal (September 1968).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1968
Complete Citation:
Eger, Joseph. “Ives and Beatles!” Music Journal 26/9 (September 1968): 46, 70-71.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Eichler, Jeremy

Year: 2018
Complete Citation:
Eichler, Jeremy. “Following the Fiddle on a ‘Wild Ride to Heaven’ with Charles Ives: Stefan Jackiw and Jeremy Denk Partner to Perform His Violin Sonatas.” The Boston Globe, January 14, 2018.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Eidland, Dan and Bodil Eidland-Cederbom

Year: 2005
Complete Citation:
Eidland, Dan and Bodil Eidland-Cederbom. Marja, Walt Whitman, Charles Ives, Theodore Roosevelt and I. Alingsås, Sweden: Mitthans, 2005.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Einstein, Alfred

Year: 1933
Complete Citation:
Einstein, Alfred. “American Music in Berlin.” Christian Science Monitor. March 6, 1933, 4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings

Elie, Rudolph

Year: 1950
Complete Citation:
Elie, Rudolph. “Symphony Concert.” Boston Herald, November 11, 1950, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Elliot, Martha

Year: 2006
Complete Citation:
Elliot, Martha. “Early Twentieth-Century Nationalism.” In Singing in Style: A Guide to Vocal Performance Practices, 251-285. New Haven, CT: Yale University Press, 2006.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ellsworth, Ray

Year: 1956
Complete Citation:
Ellsworth, Ray. “Americans on Microgroove, Part I.” High Fidelity 6/7 (July 1956): 63-69.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Emmery, Laura

Year: 2013
Complete Citation:
Emmery, Laura. “An American Modernist: Teatime with Elliott Carter.” Tempo, Vol. 67 (2013): 22-29.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Emmery, Laura and Elliot Carter

Year: 2013
Complete Citation:
Emmery, Laura, and Elliott Carter. “An American Modernist: Teatime with Elliott Carter.” Tempo, vol. 67, no. 264 (2013): 22-29.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Emmerik, Paul van

Complete Citation:
Paul van Emmerik. “Review of Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition.” Notes (March 2000) 56/3: 729.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Engel, Lehman

Year: 1932
Complete Citation:
Engel, Lehman. “Music Notes.” Symposium 3 (October 1932): 495-502.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1973
Complete Citation:
Engel, Lehman. This Bright Day. New York, New York: The Macmillan Company, 1974.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

English, David

Year: 2001
Complete Citation:
David English. “How Ives Won [Response to the Harmonist].” New Yorker 7 (January 22, 2001).
Notes:

Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.

Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ericson, R.

Year: 1967
Complete Citation:
Ericson, Raymond. “Thompson Sings in Recital Hall: Young Baritone’s Debut has a Well-Chosen Program.” The New York Times, October 31, 1967, 37.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ericson, Raymond

Year: 1967
Complete Citation:
Ericson, Raymond. “Music: The Philharmonic’s 125th Year: Mahler and Ives Works Inaugurate Season.” The New York Times, October 6, 1967, 30.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Ericson, Raymond. “Retrospective Cowell Program Honors the Music Experimenter.” The New York Times (March 20, 1969): 55.
Notes:

A review of a concert. Only mention of Ives: “A member of the audience sported a button ‘Ives Lives.’ This reference to the great innovator in American music, Charles Ives, might just as well have read ‘Cowell Lives.’”

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1973
Complete Citation:
Ericson, Raymond. “Ives? They Love Him in Hungary.” The New York Times, August 26, 1973, 119.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances