Hecht, Roger
Year: 2001
Complete Citation:
Hecht, Roger. “Ives: “Symphonies” (4); “3 Places in New England”; “Orchestra Set 2.”” American Record Guide, Vol. 64, No. 4 (2001): 137-138.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Hecht, Roger. “Guide to Records: Ives - Symphony 2; “Robert Browning Overture.”” American Record Guide, Vol. 64, No. 1 (2001): 141-142.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
Hecht, Roger. “Collections - “Leonard Bernstein: the Americans.”” American Record Guide, Vol. 67, No. 5, (2004): 223-225.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Hecht, Roger. “Guide to Records - Ives: Symphonies.” American Record Guide, Vol. 70, No. 1 (2007): 112-113.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Hecht, Roger. Guide to Records - Ives: “Decoration Day”; “Fourth of July”; “Thanksgiving & Forefathers' Day”; “The General Slocum”; Overture; Postlude. American Record Guide, Vol. 73, No. 2 (2010): 106-107.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2011
Complete Citation:
Hecht, Roger. Ives: “Concord Symphony;” Copland: “Organ Symphony.” American Record Guide, Vol. 74, No. 3 (2011): 133-134.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2014
Complete Citation:
Hecht, Roger. “Guide to Records: Seattle Symphony - “Ives: Symphony 2; Gershwin: ‘American in Paris’; Carter: ‘Instances.’”” American Record Guide, Vol. 77, No. 5 (2014): 109-110.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann
Year: 2004
Complete Citation:
Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann. “Charles Ives and Composing Today.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 19, 2004.Source: Festival
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Helm, Everett
Year: 1962
Complete Citation:
Helm, Everett. “Another Concord Sonata.” Musical America 82, no. 6 (June 1962): 27-28.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Helms, Hans G.
Year: 1974
Complete Citation:
Helms, Hans G. “Der Komponist Charles Ives — Leben, Werk und Einfluß auf die heutige Generation.” Neue Zeitschrift für Musik 125/10 [1964]: 425-433.Source: Journal
Reprints: Helms, Hans G. “Der Komponist Charles Ives.” Liner notes for <i>Die Welt des Charles Ives</i>. CBS 77406, 1974, LP.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hemming, Roy
Year: 1985
Complete Citation:
Hemming, Roy. “Michael Tilson Thomas.” Stereo Review 50/7 (July 1985): 53-55.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Henahan, Donal
Year: 1963
Complete Citation:
Henahan, Donal. “Charles Ives’ Music Slips Toward Obscurity: Sports Final, NW Edition.” Chicago Tribune, June 4, 1987.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1970
Complete Citation:
Henahan, Donal . “He Made Composing Respectable Here.” The New York Times. November 8, sec. 2: 17, 20.Notes: “Copland had done what nobody, not even Ives or MacDowell before him, had accomplished. He made com-posing in America respectable and made it pay too.” Quotes Copland about Ives 114 Songs. Questions Virgil Thom-son’s assessment.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1970
Complete Citation:
Henahan, Donal. “Recordings: Was Ives Merely an Inspired Dabbler?” The New York Times, July 19, 1970, 87.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play Their Own Music.” The New York Times, July 14, 1974, sec. 2, 13.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play their Own Music: The Value of some Historical Recordings is that they ‘Leave Little Doubt as to how the Composer Wanted His Music Played.’” The New York Times, July 14, 1974, 107.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Henahan, Donal. “Ravel: Charles Ives and His America.” The New York Times, November 30, 1975, 291.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Henahan, Donal. “Music: Brass Quintet.” The New York Times, March 26, 1975, 51.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1987
Complete Citation:
Henahan, Donal. “Ives and Brahms by Cleveland Orchestra.” The New York Times, May 16, 1987, 15.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1987
Complete Citation:
Henahan, Donal. “Bernstein and the Philharmonic.” The New York Times. April 10, 1987, sec. C: 3.Notes: In re-evaluating the work, the writer points out that some have criticized Ives for not handling his material musically, but this work shows “artistic unity.” Symphony No. 4 was to have been performed on the program also. A favorable review of performance of Symphony No. 2 (April 9, 1987: New York Philharmonic; Leonard Bernstein, conduc-tor).
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances