Henahan, Donald
Year: 1981
Complete Citation:
Henahan, Donald. “Wave Your Banner! Sound Your Trumpet! (If You Want Your Favorite Composer to Achieve Immortality and Become the Next Mahler or Ives).” The New York Times, February 8, 1981, sec. 2, 1, 25.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Henderson, W. J.
Year: 1928
Complete Citation:
W. J. Henderson. “Pro Musica Opens Its Season.” New York Sun (November 15, 1928): 25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Henderson, William J.
Year: 1925
Complete Citation:
William J. Henderson. “Music.” New York Sun (February 16, 1925).Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Henerson, William J.
Year: 1927
Complete Citation:
William J. Henderson. “Composers Guild Gives Concert.” New York Evening Run (January 31, 1927): 25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Henson, Chris
Year: 1997
Complete Citation:
Henson, Chris. “An American Original - the Music of Charles Ives Provides More Questions than Answers.” Roanoke Times, March 17, 1997, 1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Hertz, David Michael
Year: 1993
Complete Citation:
Hertz, David Michael. Angels of reality: Emersonian unfoldings in Wright, Stevens, and Ives. Carbondale, IL: Southern Illinois University Press,1993.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Herzfeld, Gregor
Year: 2007
Complete Citation:
Herzfeld, Gregor. “Nancarrows Erhabene Zeitspiele.” Archiv Für Musikwissenschaft, vol. 64, no. 4 (2007): 285-305.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2015
Complete Citation:
Herzfeld, Gregor. “Tod und Trauer als Narrative neuer Musik: Erinnerungsmusik von Charles Ives, Morton Feldmann und John Adams.” In Musik und Narration: philosophische und musikästhetische Perspektiven. Bielefeld, Germany: Transcript, 2015.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hewett, Ivan
Year: 2003
Complete Citation:
Hewett, Ivan. “Reviews: Chamber - A Little Help from Their Friends: [Charles Ives].” BBC Music Magazine, Vol. 11, No. 7 (2003): 68.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Hicks, Michael
Year: 1991
Complete Citation:
Hicks, Michael. “The Imprisonment of Henry Cowell.” Journal of the American Music Society 44, No. 1 (1991).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
Hicks, Michael. Henry Cowell, Bohemian. Urbana, IL: University of Illinois Press, 2002.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hiekel, Jörn Peter
Year: 1986
Complete Citation:
Hiekel, Jörn Peter “Verfrühter Neutöner—dreitägiger Workshop über Charles Ives in Bonn.” Musica 40/6: 255-256.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Higgins, Joan
Year: 1973
Complete Citation:
Higgins, Joan. “Cecilia Society Concert would have Thrilled Ives.” Boston Globe, March 28, 1973, 23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Hill, Dona Jean (compiler)
Year: 1957
Complete Citation:
Hill, Dona Jean. “Concert Hall.” American Composers Alliance Bulletin (Fall 1957) 7/1: 21.Notes: Two performances of Ives works cited.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Hiller, Egbert
Year: 2011
Complete Citation:
Hiller, Egbert. “«Manische Entwicklungslinien»: Der Ungarische Komponist Martin Illés.” Neue Zeitschrift Für Musik, vol. 172, no. 1 (2011): 46-49.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hitchcock, H. Wiley
Year: 1985
Complete Citation:
Hitchcock, H. Wiley. “Ivesiana. The Gottschalk Connection.” Institute for Studies in American Music Newsletter 15/1 (November 1985): 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Hitchcock, H. Wiley. “Keynote Address: Ives and Copland: An Odd Couple, and Yet…” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Hitchcock, H. Wiley. “Ivesiana on Disk.” Newsletter - Institute for Studies in American Music 24, no. 2 (Spring 1995): 7.Source: Newsletter
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Hitchcock, H. Wiley, and Vivian Perlis, eds.
Year: 1977
Complete Citation:
Hitchcock, H. Wiley, and Vivian Perlis, eds. “Five Composers’ Views.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 187-208. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hitchcock, H. Wiley, ed.
Year: 1981
Complete Citation:
Hitchcock, H. Wiley. “Schoenberg on Ives.” Institute for Studies in American Music Newsletter (May 1981) 10/2: 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
