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Bibliography

Muñoz Molina, Antonio

Year: 2013
Complete Citation:
Muñoz Molina, Antonio. “Opinión: El misterio Ives.” Scherzo: Revista de Música, Vol. 28 (2013): 3.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Musgrave, Thea

Year: 1973
Complete Citation:
Musgrave, Thea. “A New Viola Concerto.” The Musical Times 114/1566 (1973): 790-791.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Myers, Kurtz, comp.; Richard S. Hill, ed.

Year: 1956
Complete Citation:
Myers, Kurtz, comp. Record Ratings: The Music Library Association’s Index of Record Reviews, edited by Richard S. Hill, 154-155. New York, NY: Crown Publishing, 1956.
Notes:

Lists fourteen LPs

Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Nagano, Kent

Year: 2019
Complete Citation:
Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Nauck, Gisela

Year: 1985
Complete Citation:
Nauck, Gisela. “Weimar: Charles Ives’ Concord Sonata, DDR-erstauf-geführt.” Musik und Gesellschaft 35 (July 1985): 397-398.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Nelson, Catherine

Year: 2009
Complete Citation:
Nelson, Catherine. “CD Reviews: “Patriots” - Grieg: Violin Sonatas in G Major Op. 13 & in F Major Op. 8; Ives: Violin Sonatas No. 2 & 4.” The Strad, Vol. 120 (2009): 83, 85.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Newark, Cormac

Year: 2000
Complete Citation:
Newark, Cormac. “Knowing the Score.” The Guardian, April 28, 2000: B18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Newton, Catherine R.

Year: 2010
Complete Citation:
Newton, Catherine R. “A Wild Ride with Saint-Saens, Ives.” The Salt Lake Tribune, December 3, 2010.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Newton, Catherine Reese

Year: 2017
Complete Citation:
Newton, Catherine Reese. “Ives Symphony Befuddles, Delights Abravanel Crowd.” The Salt Lake Tribune, February 18, 2017.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Nicholls, David

Year: 2000
Complete Citation:
Nicholls, David. “Review of “Ives Plays Ives” (sound recording).” America Music 18 (Fall 2000): 331-33.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2000
Complete Citation:
Nicholls, David. “Ives Plays Ives: The Composer at the Piano in Four Recording Sessions, 1933-1943.” American Music 18, no. 3 (Fall 2000): 331-333.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Niemöller, Klaus Wolfgang

Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang. John Cage und das Zeitproblem in der Musik des 20. Jahrhunderts. Regensburg, Germany: Gustav Bosse Verlag, 1990.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Noble, David

Year: 1968
Complete Citation:
Noble, David. “Ives Work Introduced by Pianist Mandel.” The Boston Globe, March 27, 1968, 40.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Noble, David W.

Year: 1970
Complete Citation:
Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Norman Holmes Pearson

Year: 1966
Complete Citation:
Pearson, Norman Holmes. “Revelation in Words.” The New York Times, March 20, 1966, 292.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Norris, Geoffrey

Year: 2014
Complete Citation:
Norris, Geoffrey. ““Gramophone” Collector: Seattle Symphony Orchestra.” Gramophone, Vol. 92 (2014): 59.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

North, Cheryl

Year: 2010
Complete Citation:
North, Cheryl. “Classical Music: Russian Composer Files a Response to Charles Ives.” Oakland Tribune, February 22, 2010.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

North, James H.

Year: 1998
Complete Citation:
North, James H. “Ives: “3 Places in New England,” Orchestral Set No. 2; Ruggles: “Sun-treader,” “Men and Mountains;” Crawford Seeger: Andante for Strings.” Fanfare: The Magazine for Serious Record Collectors, Vol. 21, No. 5 (1998): 146.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
North, James H. “Ives: Symphonies: “No. 1”; “No. 2”; “No. 3”; “No. 4”; “3 Places in New England”; “Orchestral Set No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 6 (2001) 152.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphony No. 2; Robert Browning Overture.” Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 3 (2001): 202-204.
Source: Magazine (book review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews