Brits, Hanneli
Year: 2000
Complete Citation:
Brits, Hanneli. Die invloede op Charles E. Ives se komposisiestyl. Potchefstroom, South Africa: North West University Library, 2000.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bronson, Carl
Year: 1932
Complete Citation:
Bronson, Carl. “Ultra-Modern Music Rules in Concert.” Los Angeles Evening Herald, December 31, 1932, 322.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Brookes, Stephen
Year: 2015
Complete Citation:
Brookes, Stephen. “Performance of Ives Sonata is Beyond Words.” The Washington Post, November 24, 2015.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2015
Complete Citation:
Brookes, Stephen. “A Fresh Take on the Rarely Heard Music of Charles Ives.” The Washington Post, November 23, 2015.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Brooks, William
Year: 2018
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brown, Geoff
Year: 1999
Complete Citation:
Brown, Geoff. “Charles Ives: Three Places in New England: 1F Edition.” Times (London, England), October 12, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “Steven Sloane Tinkles the Ives: Final 5 Edition.” Times (London, England), February 28, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “Torrent show: Final 1 Edition.” Times (London, England), January 28, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “SFS/Thomas: Final 4 Edition.” Times (London, England), May 12, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2011
Complete Citation:
Brown, Geoff. “Classical Hilary Hahn Ives Sonatas.” The Times (London, England), December 2, 2011, 45.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Browning, J. Robert
Year: 2001
Complete Citation:
Browning, J. Robert. “‘My God, What Has Sound Got to Do with Music?’ Interdisciplinarity in Eliot and Ives.” In T. S. Eliot’' Orchestra: Critical Essays on Poetry and Music, edited by John Xiros Cooper, 195-214. New York, NY: Garland Press, 2001.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brown, Peter
Year: 1965
Complete Citation:
Brown, Peter. “Recitals: Ives on a Birthday.” Music and Musicians 14/4 (De-cember 1965): 49, 61.Notes: Concert on October 21, 1964 at the American Embassy Theatre in London, United Kingdom. Annon Lee Silver, voice; Ronald Lumsden, piano.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Brown, Stephen
Year: 1988
Complete Citation:
Brown, Stephen. “In America: Ives and Copland.” In The Sense of Music. San Diego, CA: Harcourt Brace Jovanovich, 1988.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Broyles, Michael
Year: 2004
Complete Citation:
Broyles, Michael. “Precursors: Charles Ives and Leo Ornstein.” In Mavericks and Other Traditions in American Music, 71-91. New Haven, CT: Yale University Press, 2004.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brozan, Nadine
Year: 1992
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times, October 31, 1992.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1992
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times. October 31, 1992, 22.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1993
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times, May 27, 1993.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Brozen, Michael
Year: 1968
Complete Citation:
Brozen, Michael. “A Week for Charles Ives: Recitals by Esther Glazer/Easley Blackwood and Alan Mandel.” High Fidelity/Musical America 18/6, June 1968, 17.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Buchman, Andrew
Year: 1996
Complete Citation:
Buchman, Andrew. “Ives and Stravinsky: Two Angles on “the German Stem.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 131-149. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Buckley, Dan
Year: 1998
Complete Citation:
Dan Buckley. “Slatkin Speaks.” Stereophile (March 1998): 85--87.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews