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Bibliography

Salzman, Eric

Year: 1963
Complete Citation:
Salzman, Eric. “Retrospective of Avant-garde Music.” New York Herald Tribune. December 21, 1963, 6.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation:
Salzman, Eric. “Carl Ruggles.” HiFi/Stereo Review (September 1966) 17/3: 53--63.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation:
Salzman, Eric. “New Stereo Discs for a Further Look at Ivesian Questions and Answers.” High Fidelity 16, no. 4 (June 1966): 70-71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Salzman, Eric. “Charles Ives: Music Big as Life.” HiFi/Stereo Review 19/2, August 1967, 65-67.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Salzman, Eric. “The Piano Music of Charles Ives.” HiFi/Stereo Review 21, no. 2 (August 1968): 72-73.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Salzman, Eric. “Charles Ives: A Centennial Keepsake Album from Columbia.” Stereo Review 33/3, September 1974, 122-123.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Samaroff, Olga

Year: 1927
Complete Citation:
Olga Samaroff, “Music.” New York Evening Post (January 31, 1927): 7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Saminsky, Lazare

Year: 1931
Complete Citation:
Saminsky, Lazare. “Chroniques et Notes: États--Unis, La Musique a New York, Philadelphia et Boston.” La Revue Musicale 12/120 (November 1931): 355-356.
Notes:

Quotation from article: “Boston Chamber Symphony, dirige par Nicolas Slo-nimsky, musicien brillant, nous fit connaitre une <i>Suite </i>[No. 2] tres singuliere et tres americaine de Charles Ives.”

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Lazare Saminsky, “Etats-Unis: Concerts et Premieres a New-York.” La Revue Musicale 12, 113 (March 1931): 258.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Saminsky, Lazare. “Encounters Stimulating and Otherwise.” Modern Music IX, 1 (November-December 1931): 39.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Samuel, Claude

Year: 2001
Complete Citation:
Samuel, Claude. “Charles Ives: “Three-Page Sonata. The Anti-Abolitionist Riots. Study no. 20. Varied Air and Variations. Scene Episode. Piano Sonata no. 2.”” Diapason: le magazine du disque et de la musique vivante (2001): 92.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Samuel, Claude. “22 Février 1951: Création de la Symphonie no2 de Ives.” Diapason: le magazine du disque et de la musique vivante (2010): 66.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sanborn, Pitts

Year: 1927
Complete Citation:
Sanborn, Pitts. “Pro-Musica or Anti?” New York Telegram, January 31, 1927: 7.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Pitts Sanborn. “Pro Musica Gives Its First Referendum Program Concert.” New York Telegram (November 15, 1928): 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sandow, Greg

Year: 2000
Complete Citation:
Sandow, Greg. “Twenty-One Sides of Fischer-Dieskau.” Opera News, Vol. 65, No. 5 (2000): 56-57.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sargeant, Winthrop

Year: 1958
Complete Citation:
Sargeant, Winthrop. “Saluting Mr. Ives.” The New Yorker, October 11, 1958.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1958
Complete Citation:
Sargeant, Winthrop. “Music Events: Opening Concert.” The New Yorker 34 (October 11, 1958): 168-171.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Sargeant, Winthrop. “Musical Events: Fourth Symphony Performed by American Symphony Orchestra.” The New Yorker 41, no. 12 (May 8, 1965): 169.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sawer, David

Year: 1999
Complete Citation:
Sawer, David. “20th Century Masterworks: Charles Ives, “The Unanswered Question.”” BBC Music Magazine, Vol. 7, No. 9 (1999): 20.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sayers, Kari

Year: 2012
Complete Citation:
Sayers, Kari. “Peninsula Symphony Delivers the Unexpected with Flair and Virtuosity.” Daily Breeze (Torrance, CA), May 2, 2012.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances