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Bibliography

Schaffner, Karen

Year: 2005
Complete Citation:
Schaffner, Karen. “Performances and Lectures Focus on Composer Charles Ives: FINAL Edition.” The Arizona Daily Star, March 4, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Scheinin, Richard

Year: 2014
Complete Citation:
Scheinin, Richard. “Review: Ives Quartet Deconstructs Henry Cowell's ‘Mosaic.’” Oakland Tribune, February 22, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Scherer, Barrymore Laurence

Year: 1996
Complete Citation:
Scherer, Barrymore Laurence. “Charles Ives: In Concert and Context.” Wall Street Journal, August 15, 1996, sec. A, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Scheuer, Philip K.

Year: 1964
Complete Citation:
Scheuer, Philip K. “Movies and the Sound of Great Music.” Los Angeles Times, January 26, 1964, A2.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schiff, David

Year: 1983
Complete Citation:
Schiff, David. The Music of Elliot Carter, 17-19 and passim. London, United Kingdom: Eulenberg Books, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2018
Complete Citation:
Schiff, David. Carter. New York, New York: Oxford University Press, 2018.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schloezer, Boris de

Complete Citation:
Schloezer, Boris de. “La Vie musicale à Paris.” Les Beaux-Arts (Brussels), June 26, 1931, 1.
Source: Newspaper
Reprints:

Schloezer, Boris de. “La Vie musicale à Paris.” Translated by Frank Rossiter. <i>Charles Ives and His World</i>, 303-304. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schmitt, Florent

Year: 1931
Complete Citation:
Schmitt, Florent. “Les Concerts. Divers Musique Americaine.” Le Temps, June 20, 1931.
Source: Newspaper
Reprints:

Schmitt, Florent. “Les Concerts. Divers Musique Americaine” (excerpt). In <i>Charles E. Ives: Memos</i>, edited by John Kirkpatrick, 13-14. New York, NY: W.W. Norton, 1972.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Schmitt, Florent. “Les Concerts.” LeTemps, June 20, 1931.
Source: Newspaper
Reprints:

Schmitt, Florent. “Les Concerts.” In <i>Charles Ives and His World</i>, 302-303. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Schmitt, Florent. “Les Concerts." Le Temps (Paris), February 27, 1932: 3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schneider, Frank

Year: 1989
Complete Citation:
Schneider, Frank. “Masse als kompositorisches Phaenomen.” Disso-nant/Dissonance 20 (May 1989): 16-17.
Notes:

Regarding Orchestral Set No.2: “From Hanover Square North at the End of a Tragic Day the Voice of the People Again Arose.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schoenberg, Arnold

Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.
Notes:

A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sid-ney Cowell, Charles Ives and His Music as a footnote with lines 6-7 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A repro-duction of Schoenberg's note and the correct wording is given on the following page of the present volume. See also B0972 and B1332 (Ward). [The original is held in the Ives Papers at Yale University.]

Source: Letter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Schoenberg, Arnold. Panegyric to Charles Ives [1944].
Source: Fragment
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:

Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.

Notes:

A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sid­ney Cowell, Charles Ives and His Music as a footnote with lines 6­7 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A repro­duction of Schoenberg's note and the correct wording is given on the following page of the present volume. [The original is held in the Ives Papers at Yale University.]

Source: Letter
Reprints:

Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.
Source: Letter
Reprints:

Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1955.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schofield, Edmund A.

Year: 1993
Complete Citation:
Schofield, Edmund A. “Thoreau was somewhere near: the Ives-Thoreau connection.” In Thoreau’s world and ours: a natural legacy. Golden, CO: North American Press, 1993.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schonberg, Harold

Year: 1956
Complete Citation:
Schonberg, Harold. “Records: Ives: The Four Violin Sonatas Played by Druian Makes it Sing Conducts Janacek.” The New York Times, July 15, 1956, 72.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Schonberg, Harold. “A Complex Score Is Ives' No. 4.” The New York Times. April 25, 1965, sec. 2, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Schonberg, Harold. “Music: American Symphony Returns.” The New York Times, October 17, 1967, sec. L, 54.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Schonberg, Harold C. “Don’t Try to Please the Ladies, Rollo.” The New York Times, March 30, 1969, sec. 2, 19.
Source: Newspaper
Reprints:

Schonberg, Harold C. “Ives: Compulsiveness, Complexity, Dissonance and Power.” In <i>Facing the Music</i>, 147-151. New York, NY: Summit Books, 1981.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances