Serebrier, José and John Kirkpatrick
Year: 1974
Complete Citation:
Serebrier, José, and John Kirkpatrick. “Charles Ives’ Fourth.” Symphony News 25, no. 5 (1974), 11-12.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Serio, John N.
Year: 1979
Complete Citation:
Serio, John N. “The ultimate music is abstract: Charles Ives and Wallace Stevens.” Lewisburg, PA: Bucknell University Press, 1979.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shavin, Norman
Year: 1952
Complete Citation:
Shavin, Norman. “If Modern Music and Listeners Both Endure.” Louis-ville Times, February 5, 1952, sec. 2, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sherman, John K.
Year: 1943
Complete Citation:
Sherman, John K. “Contemporary Music Group in Concert.” Minne-apolis Star Journal (December 2, 1943): 14.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sherman, Robert
Year: 1988
Complete Citation:
Sherman, Robert. “MUSIC; Some Concert ‘Firsts’ are Scheduled.(Westchester Weekly Desk).” The New York Times, March 6, 1988.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Sherman, Robert. “MUSIC; Broadway Stars Step into the Breach.” The New York Times, January 14, 1990.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Sherman, Robert. “A Pair of Programs of String Quartets.” The New York Times, March 29, 1998.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Shirley, Wayne
Year: 1967
Complete Citation:
Shirley, Wayne. “Ives’s ‘Holidays': A Glorious ‘Fourth,’ and No Anticli-max.” High Fidelity/Musical America 17/9, September 1967, 79-80.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Shirley, Wayne. “The Challenge of Ives Brings a New Round of Chal-lengers.” High Fidelity/Musical America 18/6, June 1968, 80-81.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Shloezer, Boris de
Year: 1932
Complete Citation:
Shloezer, Boris de. “Muz’ikal’n’iia zametki.” Translated by Doit Ojamaa. Posledniia novosti or Les Dernières Nouvelles (Paris). March 11, 1932, 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
Shore, Jay
Year: 1971
Complete Citation:
Shore, Jay. “Record: Calcium Light Night.” The Rolling Stone 84 (June 10, 1971): 46.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Shreffler, Anne
Year: 1994
Complete Citation:
Shreffler, Anne. “Elliott Carter and His America.” Sonus 14/2 (Spring 1994): 38-66.Notes: See 51-58 regarding the influence of Ives that “looms largest in Carter's music.”
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shreffler, Anne Chatoney
Year: 1994
Complete Citation:
Shreffler, Anne Chatoney. “Elliott Carter and his America.” Sonus 14/2 (Spring 1994): 38-66.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shultis, Christopher
Year: 1998
Complete Citation:
Shultis, Christopher. Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition, 3-4. 14-28, and passim.. Boston, MA: Northeastern University Press, 1998.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2013
Complete Citation:
Shultis, Christopher. Silencing the sounded self: John Cage and the American experimental tradition. Lebanon, NH: University Press of New England, 2013.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Christopher Shultis. “Robert Morris and the Missing Middle.” Perspectives of New Music 52/2 (2014): 316-324.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Simms, Bryan R.
Year: 2011
Complete Citation:
Simms, Bryan R. “The German Apprenticeship of Charles Ives.” American Music 29 (2011): 139-167.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Simon, Eric
Year: 1968
Complete Citation:
Simon, Eric. “Der späte Ruhm des seltsamen Charles Ives” [The Be-lated Fame to the Singular Charles Ives]. HiFi--Stereophonie (January 1968) 7/1: 58-59.Notes: The uniqueness of the composer’s style is emphasized; Ives is compared to Silvestre Revueltas and Leos Janacek.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Simon, Jeff
Year: 2016
Complete Citation:
Simon, Jeff. “Listening Post: New Jazz Trio to Hallwalls, All-Ives Disc from Seattle.” TCA Regional News, January 28, 2016.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Simon, Robert A.
Year: 1927
Complete Citation:
Robert A. Simon. “Musical Events.” New Yorker (February 12, 1927): 60-61.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances