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Bibliography

Watt, Douglas

Year: 1951
Complete Citation:
Watt, Douglas. “Musical Events: Concert Records.” The New Yorker 27, no. 1 (February 17, 1951): 97-99.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Weatherwax, John

Year: 1934
Complete Citation:
Weatherwax, John. “On the Pacific Coast.” Modern Music 11 (January-February, 1934): 106-177.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Webb, John

Year: 1992
Complete Citation:
Webb, John. “Schnittke in Context.” Tempo 182 (September 1992): 19-22.
Notes:

Composer Schnittke tells of influence of Mahler and Ives. Considers each to be polystylistic.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Webster, Daniel

Year: 1983
Complete Citation:
Webster, Daniel. “Fine Remembrance of Composer Ives.” The Philadelphia Inquirer, June 19, 1983.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1995
Complete Citation:
Webster, Daniel. “Americana on the Piano: Ives and Three Others.” The Philadelphia Inquirer, April 15, 1995.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Weischollek, Dirk

Year: 2011
Complete Citation:
Weischollek, Dirk. “Gustav Mahler und Charles Ives - Heterogenität als Welterfahrung.” In Wo die schönen Trompeten blasen: vokale und instrumentale Semantik im Werk Gustav Mahlers, edited by Heister, Hanns-Werner. Berlin, Germany: Weidler Buchverlag, 2011.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Weiss, Adolph

Year: 1931
Complete Citation:
Weiss, Adolph. “In Defense of Native Composers.” The New York Times, July 26, 1931, sec. 8, 7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

West, Michael J.

Year: 2009
Complete Citation:
West, Michael J. “Reviews: CDs - Theo Bleckmann & Kneebody; Theo Bleckmann/John Hollenbeck/Gary Versace.” JazzTimes: America's Jazz Magazine, Vol. 39, No. 5 (2009): 58.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Westenburg, Richard

Year: 1974
Complete Citation:
Westenburg, Richard. “Charles Ives.” Music/The AGO-RCCO Magazine 8/10 (1974): 26-29.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

White, Michael

Year: 1999
Complete Citation:
White, Michael. “Music Proms 99: The Next Seven Days: Final Edition.” The Independent, August 8, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

White, Michael J.

Year: 1982
Complete Citation:
White, Michael J. “Hazel Smith in Ives.” The Guardian, June 12, 1982, 12.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Whittaker, Herbert

Year: 1970
Complete Citation:
Whittaker, Herbert. “Music on Records: Rhythmic Experiments in Ives Collection.” The Globe and Mail, October 8, 1970, 11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wiecki, Ronald Victor

Year: 1992
Complete Citation:
Wiecki, Ronald V. “Two Musical Idealists—Charles Ives and E. Robert Schmitz: A Friendship Reconsidered.” American Music, 10/1 (Spring 1992): 1-19.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Willis, Thomas

Year: 1963
Complete Citation:
Willis, Thomas. “Shaw Gives Bitter Ives, Schoenberg.” Chicago Daily Tribune, January 14, 1963: B6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1963
Complete Citation:
Willis, Thomas. “Ives Anything but an Aesthetician.” Chicago Tribune, March 3, 1963, F8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Willis, Thomas. “Ives’ Symphony is Promising.” Chicago Tribune, November 8, 1965: B7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Willis, Thomas. “Ives’ Symphony is Promising.” Chicago Tribune, November 8, 1965, B7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966
Complete Citation:
Willis, Thomas. “Ives 4th Symphony Scores Impressive Chicago Debut.” Chicago Tribune, April 1, 1966, B11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966
Complete Citation:
Willis, Thomas. “Musical Restorations Bringing Masterpieces: Restoration of Musical Masterpieces Bring them to Symphony, Lyric Opera.” Chicago Tribune, 1966, G11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966
Complete Citation:
Willis, Thomas. “Ives Trio is a Gay Concert Bonus.” Chicago Tribune, January 12, 1966, B4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances