Image
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Notes.” Modern Music Vol. 16, No. 3 (March-April 1939): 172-176.
Bibliography
Genres
Carter, Elliott
Year: 1939
Source: Journal
Reprints:
Carter, Elliot. “The Case of Mr. Ives.” <i>Perspectives of New Music</i> Vol. 2, No. 2 (Spring-Summer 1964). * Carter, Elliot. “The Case of Mr. Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Carter, Elliott. “The Changing Scene, New York 1940.” Modern Music XVII, 3 (March-April 1940): 240-241.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Carter, Elliott. “Stravinsky and Other Moderns in 1940.” Modern Music 17/3 (March-April 1940): 164-170.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1960
Complete Citation:
Carter, Elliott. “Shop Talk by an American Composer.” The Musical Quarterly XLVI (April 1960): 189-201.Source: Journal
Reprints:
Carter, Elliott. “Shop Talk by an American Composer.” In <i>Problems of Modem Music</i>, edited by Paul Henry Lang, 51-63. New York, NY: W. W. Norton, 1962. * Carter, Elliott. “Shop Talk by an American Composer.” In <i>Problems of Modem Music</i>, edited by Paul Henry Lang, 262-273. New York, NY: W. W. Norton, 1962. New York, NY: Holt, Rinehart and Winston, 1967. * Carter, Elliott. “Shop Talk by an American Composer.” <i>Twentieth-Century Views of Music History</i>, edited by Edwin Hays, 412-424. New York, NY: Charles Scribner’s Sons, 1972.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1977
Complete Citation:
Carter, Elliott. The Writings of Elliott Carter: An American Composer looks at Modern Music, compiled, edited and annotated by Else and Kurt Stone. Bloomington, IN: Indiana University Press, 1977.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2011
Complete Citation:
Carter, Elliott. “Elliott Carter (1908).” Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 42-44. Woodbridge, United Kingdom: Boydell and Brewer, 2011.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Caruthers, Osgood
Year: 1959
Complete Citation:
Caruthers, Osgood. “Bernstein, on Birthday, Leads Orchestra in 2 Stravinsky Works.” The New York Times, August 26, 1959, 25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Cash, Alice H.
Year: 1991
Complete Citation:
Cash, Alice H. “Feminist Theory and Music: Toward a Common Language School of Music University of Minnesota Minneapolis — 26-30 June 1991.” The Journal of Musicology 9/4 (1991): 521-532.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cattani, Richard J.
Year: 1966
Complete Citation:
Cattani, Richard J. “Kicking Over an Ashcan.” The Christian Science Monitor, July 25, 1966, 6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Caturla, Alejandro J.
Year: 1929
Complete Citation:
Alejandro J. Caturla, “Musica Recibida: Charles E. Ives, 4a Sinfonia.” Musicalia (January-February 1929): 190-191.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Chakwin, Stephen D. Jr.
Year: 2004
Complete Citation:
Chakwin, Stephen D. Jr. “Guide to Records: Ives - “Symphony 1; Emerson Concerto.” American Record Guide, Vol. 67, No. 2 (2004): 140-141.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Chanler, Theodore
Year: 1934
Complete Citation:
Chanler, Theodore. “Forecast and Review: New York, Spring, 1934.” Mod-ern Music 11/4 (May-June 1934): 206-207.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Charles, Daniel
Year: 1994
Complete Citation:
Charles, Daniel. Musketaquid: John Cage, Charles Ives und der Transzendentalismus. Berlin, Germany: Merve-Verlag, 1994.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chase, Gilbert
Year: 1958
Complete Citation:
1958 - Gilbert Chase. “Situation actuelle de la musique americaine.” La Revue musicale 242 (1958): 97-99.Notes:
A brief overview. Mentions La Question sans Reponse [i.e., The Unanswered Question].
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966<br>
Complete Citation:
Chase, Gilbert. “Symphony No. 4.” Anuário, vol. 2 (1966): 169.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Chavez, Carlos
Year: 1962
Complete Citation:
Chávez, Carlos. “Ives y Copland.” Clave, Voz de la Juventud Musical Uruguaya 49 (August--September 1962): 19--23.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chernosky, Louise E.
Year: 2014
Complete Citation:
Chernosky, Louise E. “Imagining Listeners through American Experimental Music: NPR’s RadioVisions.” In Tomorrow Is the Question: New Directions in Experimental Music Studies, edited by Benjamin Piekut, 229-253. Ann Arbor, MI: University of Michigan Press, Ann Arbor, 2014.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cizmic, Maria
Year: 1999
Complete Citation:
Cizmic, Maria. “Composing the Pacific: Interviews with Lou Harrison.” Echo: A Music Centered Journal, Vol. 1, No. 1 (1999): np.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Clarke, Andrew
Year: 2004
Complete Citation:
Clarke, Andrew. “CLASSICAL: NEW RELEASES: Final Edition.” The Independent (London, England), May 22, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Clarke, Colin
Year: 2009
Complete Citation:
Clarke, Colin. “Classical Recordings: Nielsen - Suite, “Luciferian”; McDonald - “Meditation before a Sonata: Dew Cloth, Dream Drapery”; Ives - Piano Sonata No. 1.” International Musician, Vol. 107, No. 7 (2009): 219-220.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews