Kyle, Marguerite Kelly
Year: 1953
Complete Citation:
Kyle, Marguerite Kelly. “AmerAllegro: Premieres, Recent Perfor-mances, New Releases: Charles E. Ives.” Pan Pipes 45/2 (January 1953): 56.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1954
Complete Citation:
Kyle, Marguerite Kelly Kyle. “AmerAllegro: Premieres, Recent Performances, New Releases: Charles E. Ives.” Pan Pipes 46/2 (January 1954): 47.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
L.D.
Year: 1944
Complete Citation:
L.D. “Vitality Adds to Appeal of Charles Ives Program.” Los Angeles Times, November 12, 1944, 5.Notes: A review of performances of some songs on an all-Ives program (1944 October 30: Los Angeles; "Evenings on the Roof'; Elizabeth Vermeulen, voice; Frances Mullen, piano).
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
La Motte-Haber, Helga de
Year: 1986
Complete Citation:
La Motte-Haber, Helga de. “Zum Raum wird hier die Zeit.” Osterreichische Musikzeitschrift 41/6 (June 1986): 282-288.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lambert, J. Philip
Year: 1996
Complete Citation:
Lambert, J. Philip. “Ives and Berg: “Normative” Procedures and Post-Tonal Alternatives.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lambourn, David
Year: 1986
Complete Citation:
Lambourn, David. “Grainger and Ives.” Studies in Music 20 (1986): 46-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lang, Paul Henry
Year: 1958
Complete Citation:
Lang, Paul Henry. “Hidden Wonder in Ives’ Scores.” New York Herald Tribune, October 12, 1958, sec. 4, 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Lang, Paul Henry. “Hearing Things. Charles Ives.” Saturday Review of Lit-erature 29/22, June 1, 1946, 43-44.Source: Magazine/Book
Reprints: In <i>Charles Ives and His World</i>, 342-345. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Lape, Fred
Year: 1967
Complete Citation:
Lape, Fred. “Charles Ives in Mexico.” Christian Science Monitor (Jan-uary 25, 1967) 59/51: 12.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Larcen, Donna
Year: 2010
Complete Citation:
Larcen, Donna. “HSO to do Ives, Martinu.” The Hartford Courant, May 20, 2010.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Larson, Thomas
Year: 1981-1982
Complete Citation:
Larson, Thomas. “Unanswering the Question.” Perspectives of New Music 20/1-2 (1981-1982): 363-405.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lash, Dominic
Year: 2018
Complete Citation:
Lash, Dominic. “Druids fielding questions: Eva-Maria Houben, Emily Dickinson and Charles Ives.” In Writing the field recording: sound, word, environment. Edinburgh, Scotland: Edinburgh University Press, 2018.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lea, Henry
Year: 1985
Complete Citation:
Lea, Henry. Gustav Mahler: Man on the Margin, 75-78. Modern German Studies, Vol. 15. Bonn, Germany: Bouvier, 1985.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lederman, Minna
Year: 1947
Complete Citation:
Lederman, Minna, “Some American Composers.” Vogue. February 1, 1947.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lee, J. Earl
Year: 1933
Complete Citation:
Lee, J. Earl. “In the Night.” Minneapolis Tribune. May 26, 1933, 28.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Levin, Monroe
Year: 1979
Complete Citation:
Levin, Monroe. “Notes on Music.” The Jewish Exponent. September 28, 1979, 74.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Libbey, Theodore W. Jr.
Year: 1981
Complete Citation:
Libbey, Theodore W. Jr. “Brooklyn Philharmonia And Foss Open Season.” New York Times. October 28, 1981, sec. C, 22.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Liebenau, Horst
Year: 1993
Complete Citation:
Liebenau, Horst. “Bernhard Herrmanns Filmmusik fur Psycho.” Musikpädagogische Forschungsherichte 1993: 356-369.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lipkis, Laurence Alan
Year: 1984
Complete Citation:
Lipkis, Laurence Alan. “Aspects of temporality in Debussy's Jeux and Ive's Symphony no. 4, fourth movement.” Ph.D. Diss., University of California, Santa Barbara, 1984.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
List, Kurt
Year: 1944
Complete Citation:
List, Kurt. “Ode to Napoleon (Schoenberg).” Modern Music 21/3 (March--April 1944): 144.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers