Image
Complete Citation:
Blangger, Tim. “Baritone Hopes People Embrace, Don’t Beware, The Ives of March: First Edition.” The Morning Call, March 15, 2001.
Bibliography
Genres
Blangger, Tim
Year: 2001
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Blitzenstein, Marc
Year: 1936
Complete Citation:
Blitzenstein, Marc. “Les Jeunes Americains dans la Musique.” La Revue Musicale 163, February 1936, 145.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Block, Geoffrey
Year: 2008
Complete Citation:
Block, Geoffrey. “Bernstein's Senior Thesis At Harvard: The Roots of a Lifelong Search to Discover an American Identity.” College Music Symposium, vol. 48 (2008): 52-68. Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Blyth, Alan
Year: 1966
Complete Citation:
Blyth, Alan. “Pop Celebration.” Music and Musicians 15, No. 2 (October 1966): 42.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Bolle, Sonja
Year: 2003
Complete Citation:
Bolle, Sonja. “Children’s Books/Inspiring Lives: All Editions.” Newsday, January 26, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Bonham, Robert John
Year: 1981
Complete Citation:
Bonham, Robert John. “Some Common Aesthetic Tendencies Manifested in Examples of Pioneer American Cabins and Old Harp Music and in Selected Works of H.H. Richardson and Charles E. Ives.” Ph.D. diss., Ohio University, 1981.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bonighton, Ian and Richard Middleton
Year: 1979
Complete Citation:
Bonighton, Ian and Richard Middleton. Ives and Varèse. London, United Kingdom: Open University Press, 1979.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Booth, Earl Walter
Year: 1974
Complete Citation:
Booth, Earl Walter. “New England Quartet: E.A. Robinson, Robert Frost, Charles Ives and Carl Ruggles.” Ph.D. diss., University of Utah, 1974.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Botstein, Leon
Year: 1996
Complete Citation:
Botstein, Leon. “Innovation and Nostalgia: Ives, Mahler, and the Origins of Modernism.” In Charles Ives and His World, edited by J. Peter Burkholder, 35-74. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2005
Complete Citation:
Botstein, Leon. “Copland Reconfigured.” In Aaron Copland and His World, edited by Carol J. Oja and Judith Tick, 439-484. Princeton, NJ: Princeton University Press, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bowden, Charles
Year: 2015
Complete Citation:
Bowden, Charles. “On the edge with Edward Abbey, Charles Ives, and the Outlaws.” In Abbey in America: a philosopher's legacy in a new century. Albuquerque, NM: University of New Mexico Press, 2015.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bowen, Meirion
Year: 1972
Complete Citation:
Bowen, Meirion. “Concerts: Contemporary.” Music and Musicians 20, no. 7 (March 1972): 66.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Boziwick, George
Year: 2000
Complete Citation:
Boziwick, George. “Henry Cowell at the New York Public Library: A Whole World of Music.” Notes 57, no. 1 (September 2000): 46-58.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Braid, Andrew
Year: 2004
Complete Citation:
Braid, Andrew. “Charles Ives, American Original, at Last Gets a Full Tribute: All Editions. Sunday.” The Record, May 9, 2004.Notes:
Special to the Record
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Brant, Henry
Year: 1957
Complete Citation:
Brant, Henry. “Henry Cowell—Musician and Citizen.” Etude (February 1957): 15, 47, 58-59; (March, 1957): 20, 60-61; (April 1957): 22, 60-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
Brant, Henry. “Space as an Essential Aspect of Musical Composition.” In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.Notes:
Cites <i>The Unanswered Question</i> as an example.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bratishenko, Lev
Year: 2015
Complete Citation:
Bratishenko, Lev. “Illusions Satisfying, Like a Hearty New Music Sandwich.” Montreal Gazette, May 2, 2015.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Braun, Doris
Year: 2006
Complete Citation:
Braun, Doris. “International Corner: [Keith Ford].” The Triangle of Mu Phi Epsilon, Vol. 99, No. 4 (2006): 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brian, Crystal
Year: 1999
Complete Citation:
Crystal Brian. “‘To Be Quiet and Listen’: The Orphans’ Home Cycle and the Music of Charles Ives.” In Horton Forte: A Casebook, edited by Gerald C. Wood, 89-108. Garland Reference Library of the Humanities: Case- books on Modern Dramatists. New York, NY: Garland Press, 1999.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brits, Hanneli
Year: 2000
Complete Citation:
Brits, Hanneli. Die invloede op Charles E. Ives se komposisiestyl. Potchefstroom, South Africa: North West University Library, 2000.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers