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Bibliography

Page, Tim

Year: 1997
Complete Citation:
Page, Tim. NSO “Visits the Cradle of Classical: U.S. Music Is Focus of European Tour.” The Washington Post (1997): G1, G8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Page, Tim. “Charmed Ives: Giving the Composer His due: FINAL Edition.” The Washington Post, March 10, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pannain, Guido

Year: 1932
Complete Citation:
Pannain, Guido. Modern Composers. Translated from Italian by Michael R. Bonavia. London, United Kingdom: J.M. Dent.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Parker, Derek

Year: 1975
Complete Citation:
Parker, Derek. “The Wrong Notes are Right: Charles Ives.” The Times, May 29, 1975, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Parmenter, Ross

Year: 1960
Complete Citation:
Parmenter, Ross. “Music: Lincoln Program.” The New York Times. February 11, 1960, 38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1964
Complete Citation:
Parmenter, Ross.“The World of Music: I.S.C.M. Concert ‘Under the Lippolds’ Will Benefit Its Downtown Series.” The New York Times, February 9, 1964.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Paul, David C.

Year: 2005
Complete Citation:
Paul, David C. “Conversing Paths to Canonicity: Charles Ives, Gustav Mahler, and American Culture.” Ph.D. diss., University of Cali-fornia at Berkeley, 2005.
Notes:

Awarded the Alvin H. Johnson A.M.S. 50 Fellow-ship.

Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Paul, David C. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59/2 (Summer 2006): 399--457.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Paul, David C. 2006. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59, no. 2 (Summer 2006): 399--458.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Paul, James

Year: 1970
Complete Citation:
Paul, James. “Music of Organ, Ives and Voice.” Jewish Advocate, 1970, A4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Perlis, Vivian

Year: 1993
Complete Citation:
Perlis, Vivian. “Ives and Copland as Subjects of Oral History.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Perkins, Francis D.

Year: 1925
Complete Citation:
Francis D. Perkins, “Quarter-Tone Feature at Referendum Concert.” New York Herald Tribune (February 15, 1925): 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Perkins, Francis D. “Pan-American Composers Give Spring Program.” New York Herald Tribune, April 16, 1934, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Perkins, Francis D. “Kirkpatrick Plays Program of Ives’ Work.” New York Herald Tribune (February 25, 1939): 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1940
Complete Citation:
Perkins, Francis D. “Music.” New York Herald Tribune, January 15, 1940, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1947
Complete Citation:
Perkins, Francis D. “Patricia Travers: Violinist Offers Charles Ives Sonata No. 2 in Program.”
New York Herald Tribune, December 17, 1947, 27.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1948
Complete Citation:
Perkins, Francis D. “Boston Symphony: Program Includes Orchestral Set by Charles Ives.” New York Herald Tribune (1926-1962), Feb 22, 1948, 39.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1957
Complete Citation:
Perkins, Francis D. “News Events in the World of Music.” New York Herald Tribune, November 10, 1957, D5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1960
Complete Citation:
Perkins, Francis D. “Lincoln Day Is Theme at Carnegie Hall.” New York Herald Tribune. February 11, 1960, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pestalozza, Luigi

Year: 2000
Complete Citation:
Pestalozza, Luigi. “Busoni e Ives.” Musica/Realtar 21/61 (March 2000): 133-151.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers