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Bibliography

Schmitt, Florent

Year: 1932
Complete Citation:
Schmitt, Florent. “Les Concerts." Le Temps (Paris), February 27, 1932: 3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schneider, Frank

Year: 1989
Complete Citation:
Schneider, Frank. “Masse als kompositorisches Phaenomen.” Disso-nant/Dissonance 20 (May 1989): 16-17.
Notes:

Regarding Orchestral Set No.2: “From Hanover Square North at the End of a Tragic Day the Voice of the People Again Arose.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schoenberg, Arnold

Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.
Source: Letter
Reprints:

Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1955.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Schoenberg, Arnold. Panegyric to Charles Ives [1944].
Source: Fragment
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:

Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.

Notes:

A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sid­ney Cowell, Charles Ives and His Music as a footnote with lines 6­7 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A repro­duction of Schoenberg's note and the correct wording is given on the following page of the present volume. [The original is held in the Ives Papers at Yale University.]

Source: Letter
Reprints:

Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.
Notes:

A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sid-ney Cowell, Charles Ives and His Music as a footnote with lines 6-7 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A repro-duction of Schoenberg's note and the correct wording is given on the following page of the present volume. See also B0972 and B1332 (Ward). [The original is held in the Ives Papers at Yale University.]

Source: Letter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schofield, Edmund A.

Year: 1993
Complete Citation:
Schofield, Edmund A. “Thoreau was somewhere near: the Ives-Thoreau connection.” In Thoreau’s world and ours: a natural legacy. Golden, CO: North American Press, 1993.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schonberg, Harold

Year: 1965
Complete Citation:
Schonberg, Harold. “A Complex Score Is Ives' No. 4.” The New York Times. April 25, 1965, sec. 2, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Schonberg, Harold. “Music: American Symphony Returns.” The New York Times, October 17, 1967, sec. L, 54.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Schonberg, Harold C. “Don’t Try to Please the Ladies, Rollo.” The New York Times, March 30, 1969, sec. 2, 19.
Source: Newspaper
Reprints:

Schonberg, Harold C. “Ives: Compulsiveness, Complexity, Dissonance and Power.” In <i>Facing the Music</i>, 147-151. New York, NY: Summit Books, 1981.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1973
Complete Citation:
Schonberg, Harold C. 1973. “Music: A Concert Fuss.” New York Times, January 20, 1973.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schonberg, Harold C.

Year: 1957
Complete Citation:
Schonberg, Harold C. “Review of the Premiere Performance of Ives’s First String Quartet, April 24, 1957, Museum of Modem Art, New York City, Kohon String Quartet.” The New York Times, April 25, 1957, 35.
Source: Newspaper
Reprints:

Schonberg, Harold C. “Review of the Premiere Performance of Ives’s First String Quartet, April 24, 1957, Museum of Modem Art, New York City, Kohon String Quartet.” <i>American Composers Alliance Bulletin</i> 6, no. 1 (1957): 23.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1957
Complete Citation:
Schonberg, Harold C. “Ives Score, Composed in Last Century, Bows.” The New York Times, April 25, 1957, 35.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1962
Complete Citation:
Schonberg, Harold C. “Ives and Ruggles.” The New York Times. March 3, 1962: 16.
Notes:

A review of recital that included ten Ives songs plus an unspecified encore (1962 March 2: New York; Museum of Modern Art; Composers Showcase; Helen Boatwright, soprano; William Dale, piano).

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1965
Complete Citation:
Schonberg, Harold C. “Music: Stokowski Conducts Ives’s Fourth Symphony in World Premiere after 50 Years.” New York Times, April 27, 1965, 29.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Schonberg, Harold C. “Music: Easley Blackwood as Soloist: Plays Piano Sonatas by Boulez and Ives Leads Off U. of Chicago Contemporary Series.” The New York Times, March 31, 1965, 26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Schonberg, Harold C. “Music: Ozawa and the Philadelphia: Young Leader Passes First Major Test Brahms, Prokofiev and Ives are Programed.” The New York Times, March 1, 1967, 48.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Schonberg, Harold C. “Music: Evening of New Quotes the Old: Ives and Bartok Lead Parade of Moderns Young Brazilian does a Novelty on Tape.” The New York Times, April 2, 1969, 40.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Schonberg, Harold C. “Music: Minneapolis Opera Makes an Original Try: ‘Horspfal’ has Premiere -- about Indian’s Fall Composer’s Work Uses Charles Ives Devices.” The New York Times, February 17, 1969, 30.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1971
Complete Citation:
Schonberg, Harold C. “Music: Masselos’s Ives: Pianist Plays ‘Concord’ Sonata at Town Hall.” The New York Times, October 6, 1971, 41.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances