Schonberg, Harold C.
Year: 1971
Complete Citation:
Schonberg, Harold C. “Music: Masselos’s Ives: Pianist Plays ‘Concord’ Sonata at Town Hall.” The New York Times, October 6, 1971, 41.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Harold C. Schonberg. “Music : Helps and Thorne: Their Works Played Along with Ives's the Program.” The New York Times, May 10, 1974, 25.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Schorske, Carl
Year: 1985
Complete Citation:
Schorske, Carl. “Mahler ey Ives: Archaïsme Populiste et Innovation Musicale.” In Gustav Mahler: Un Homme, une Oeuvre, une époque: Musée D'art Moderne de la Ville de Paris, 87-97. Paris, France: Bibliothèque Nati-onal, 1985.Source: Exhibition booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schott, Howard
Year: 1989
Complete Citation:
Schott, Howard. “Ives, Schubert & Strauss at Symphony.” Jewish Advocate, 1989, 23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Schuermann, H.G.
Year: 1986
Complete Citation:
Schuermann, H.G. “Musik zwischen Metaphysik und Experiment: dreitägiger Workshop Charles Ives in Bonn.” Musikhandel 37/4 (1986): 177-178.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Schuneman, Robert
Year: 1976
Complete Citation:
Schuneman, Robert. “Kim Kasling In Chicago-A Review.” The Diapason 67, no. 2 (January 1976): 9.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Schwartz, Elliott
Year: 1975
Complete Citation:
Schwartz, Elliott. “Directions in American Composition Since the Second World War: Part I—1945-1960.” Music Educator’s Journal 61/6 (February 1975): 29-39.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schwarz, Boris
Year: 1975
Complete Citation:
Schwarz, Boris. “Schoenberg—und Ives—Tagunen in den USA.” Österreichische Musikzeitschrift 30 (January-February 1975): 67-68.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schwarz, K. Robert
Year: 1993
Complete Citation:
Schwarz, K. Robert. “Composers’ Closets Open for All to See.” The New York Times, June 19, 1993, sec. 2, 1.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schweitzer, Vivien
Year: 2013
Complete Citation:
Schweitzer, Vivien. “Chaos Assembled, Beauty Emerges: Arts and Leisure Desk.” The New York Times, April 14, 2013.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Scott Warfield
Year: 2004
Complete Citation:
Warfield, Scott. “Crowd Didn’t Fully Appreciate Unique Music; The National Symphony Orchestra Concert Was Like the Work of Charles Ives — Extraordinary Final Edition.” The Orlando Sentinel, February 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sebastian, John
Year: 1939
Complete Citation:
Sebastian, John. “Charles Ives at Last.” New Masses, February 7, 1939, 30.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Secrest, Meryle
Year: 1994
Complete Citation:
Secrest, Meryle. Leonard Bernstein: A Life, 249, 268. New York, NY: Alfred A. Knopf, 1994.Notes: Discusses Symphony No. 2 and The Unanswered Question in Russia.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Seeger, Charles
Year: 1939
Complete Citation:
Seeger, Charles. “Grass Roots for American Composers.” Modern Music 16 (March-April 1939): 143-149.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1939
Complete Citation:
Seeger, Charles. “Charles Ives and Carl Ruggles.” Magazine of Art 32 (July 1939): 396-399, 435-437.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Seeger, Charles. “Henry Cowell.” Magazine of Art 33 (May 1940): 288-89, 322-25, 327.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sellars, James E.
Year: 1976
Complete Citation:
Sellars, James E. “Independence Declared Early, Ratified by Ives.” The Hartford Courant, July 18, 1976, 11F.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Semler, Isabella Parker
Year: 1942
Complete Citation:
Semler, Isabella Parker. Horatio Parker: A Memoir for His Grandchildren. New York, NY: G.P. Putnam & Sons.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Serebrier, Jose
Year: 1979
Complete Citation:
Serebrier, José. “Jose Serebrier on Ives.” In Conductors on Conducting. Frenchtown, NJ: Columbia Publishing Company, 1979.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Serebrier, José
Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI 4 (1984): 36-37.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances