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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Serio, John N.

Year: 1979
Complete Citation:
Serio, John N. “The ultimate music is abstract: Charles Ives and Wallace Stevens.” Lewisburg, PA: Bucknell University Press, 1979.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Shavin, Norman

Year: 1952
Complete Citation:
Shavin, Norman. “If Modern Music and Listeners Both Endure.” Louis-ville Times, February 5, 1952, sec. 2, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sherman, John K.

Year: 1943
Complete Citation:
Sherman, John K. “Contemporary Music Group in Concert.” Minne-apolis Star Journal (December 2, 1943): 14.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sherman, R.

Year: 1986
Complete Citation:
Sherman, R. “Modern Works in Abundance.” The New York Times, February 19, 1986, CN13.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances

Sherman, Robert

Year: 1988
Complete Citation:
Sherman, Robert. “MUSIC; Some Concert ‘Firsts’ are Scheduled.(Westchester Weekly Desk).” The New York Times, March 6, 1988.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Sherman, Robert. “MUSIC; Broadway Stars Step into the Breach.” The New York Times, January 14, 1990.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Sherman, Robert. “A Pair of Programs of String Quartets.” The New York Times, March 29, 1998.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Shreffler, Anne

Year: 1994
Complete Citation:
Shreffler, Anne. “Elliott Carter and His America.” Sonus 14/2 (Spring 1994): 38-66.
Notes:

See 51-58 regarding the influence of Ives that “looms largest in Carter's music.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Shreffler, Anne Chatoney

Year: 1994
Complete Citation:
Shreffler, Anne Chatoney. “Elliott Carter and his America.” Sonus 14/2 (Spring 1994): 38-66.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Shultis, Christopher

Year: 1998
Complete Citation:
Shultis, Christopher. Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition, 3-4. 14-28, and passim.. Boston, MA: Northeastern University Press, 1998.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2013
Complete Citation:
Shultis, Christopher. Silencing the sounded self: John Cage and the American experimental tradition. Lebanon, NH: University Press of New England, 2013.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Christopher Shultis. “Robert Morris and the Missing Middle.” Perspectives of New Music 52/2 (2014): 316-324.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Siegmeister, Elie

Year: 1938
Complete Citation:
Siegmeister, Elie. Music and Society Critics Group Pamphlet No. 10. New York, NY: Critic Groups Press, 1938.
Source: Pamphlet
A. Reviews and Announcements of Premieres and Significant Performances

Simms, Bryan R.

Year: 2011
Complete Citation:
Simms, Bryan R. “The German Apprenticeship of Charles Ives.” American Music 29 (2011): 139-167.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Simon, Robert A.

Year: 1927
Complete Citation:
Robert A. Simon. “Musical Events.” New Yorker (February 12, 1927): 60-61.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Simon, Robert A. "Musical Events.” The New Yorker, January 28, 1939, 44.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Simon, Robert A. “American Music—Swing Drops in— Recitalists.” New Yorker, January 28, 1939, 44-45.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1942
Complete Citation:
Simon, Robert A. “Musical Events: Plenty Going On.” The New Yorker, 1942.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1942
Complete Citation:
Simon, Robert A. “Review of the week’s music.” Robert A. Simon's Review of the Week’s Music. The New Yorker, March 7, 1942, 47
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Simon, Robert A. “Late-Season Harvest.” The New Yorker 22, no. 14 (May 18, 1946): 97-98.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances