Taubman, Howard
Year: 1934
Complete Citation:
Taubman, Howard. “New Music Given by Pan-Americans.” The New York Times, April 16, 1934, 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1949
Complete Citation:
Taubman, Howard. “New Works Given by Music Society.” The New York Times, April 26, 1949, 29.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1949
Complete Citation:
Taubman, Howard. “New Works Given by Music Society: Ives, Kahn and Rathaus Pieces Introduced by International Group at Modern Art.” The New York Times, April 26, 1949, 29.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Tawa, Nicholas E.
Year: 1984
Complete Citation:
Tawa, Nicholas E. Serenading the Reluctant Eagle: American Musical Life, 1925-1945. New York, NY: Schirmer [Macmillan], 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Tawa, Nicholas E. “Ives and the New England School.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 51-72. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Tawa, Nicholas E. “Amy Beach and Charles Ives.” In From Psalms to Symphony: A History of Music in New England, 213-226. Boston, MA: Northeastern University Press, 2001.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Teachout, Terry
Year: 1997
Complete Citation:
Teachout, Terry. “Cross Over, Beethoven.” Time 149/13, March 31, 1997.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Thiemann, Albrecht
Year: 2013
Complete Citation:
Thiemann, Albrecht. “Hinaus ins Offene!” Opernwelt: das internationale Opernmagazin, Vol. 54, No. 8 (2013): 34.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Thompson, Oscar
Year: 1939
Complete Citation:
Thompson, Oscar. “Views on an All-Ives Concert.” Sun (New York), February 25, 1939, 28.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Thompson, Randall
Year: 1932
Complete Citation:
Thompson, Randall. “The Contemporary Scene in American Music.” Musical Quarterly 18 (January 1932): 9-17.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Thomson, Virgil
Year: 1943
Complete Citation:
Thomson, Virgil. “French Rhythm.” New York Herald Tribune, November 14, 1943, sec. 4, 6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Thomson, Virgil. “European Radio.” New York Herald Tribune, Sep-tember 8, 1946, 55.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1947
Complete Citation:
Thomson, Virgil. “Cowell’s Magazine.” New York Herald Tribune, No-vember 2, 1947, sec. 5, 6.Notes: Indicates that Ives did not approve of copyright and that he “insists that his works be always in the public domain.”
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1948
Complete Citation:
Thomson, Virgil. “Music—Crude but Careful.” New York Herald Tribune. March 4, 1948, 17.Source: Newspaper
Reprints: Thomson, Virgil. “Music—Crude but Careful.” In <i>Charles Ives and His World</i>, 346. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1950
Complete Citation:
Thomson, Virgil. “Music: Select and Impressive.” New York Herald Tribune, April 4, 1950, 19.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1951
Complete Citation:
Thomson, Virgil. “Music.” New York Herald Tribune. February 23, 1951: 16.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1951
Complete Citation:
Thomson, Virgil. “Music: From the Heart.” New York Herald Tribune, February 23, 1951, 16.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1988
Complete Citation:
Thomson, Virgil. Selected Letters of Virgil Thomson, edited by Tim Page and Vanessa Weeks Page 259, 329. New York, NY: Summit, 1988.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Thurmaier, David
Year: 2013
Complete Citation:
Thurmaier, David. ““A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing.” Current Musicology, No. 96, (2013): 97-124.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tibbetts, John C.
Year: 1993
Complete Citation:
Tibbetts, John C. “Homesick in America: the nostalgia of Antonín Dvórâk and Charles Ives.” In Dvórâk in America, 1892-1895. Portland, Oregon: Amadeus Press, 1993.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers