Valdes, Lesley
Year: 1969
Complete Citation:
Valdes, Lesley. “Dutch Troupe, Relache Offer Tribute to Charles Ives’ Music.” The Philadelphia Inquirer, May 31, 1997.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Lesley Valdes. “Charles Ives Presents Pleasing Mix of Music: 3 Star Edition.” The Orlando Sentinel, November 18, 1990.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Vance, David
Year: 2000
Complete Citation:
Vance, David. “Gloves Come Off for a Lively Round with Ives and Co: Late Edition.” Sydney Morning Herald, August 11, 2000.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Vaquero Williams, Claire
Year: 2013
Complete Citation:
Vaquero Williams, Claire. “Discos: Compra segura.” Scherzo: Revista de Música, Vol. 28 (2013): 53.Source: Magazine (recording review)
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vermeulen, Ernst
Year: 1968
Complete Citation:
Vermeulen, Ernst. “Compositions by Louis Andriessen and Peter Schat Incorporating Quotations.” Sonorum Speculum (Summer 1968) 35: 1-12.Notes: Compares quotations by Louis Andriessen and Peter Schatt with some aspects of Ives’s use of quotation. In English and in Dutch.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vinay, Gianfranco
Year: 1998
Complete Citation:
Vinay, Gianfranco. “Le “son américain” entre utopie et tradition: á l'origine de la musique expérimentale américain (Ives et Cowell).” Revue Belge de Musicologie: Belgisch Tijdschrift voor Muziekwetenschap, Vol. 52 (1998): 91-100.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Vinay, Gianfranco. “Charles Ives tra nostalgia e Utopia.” Il Giornale della Musica 20/204 (May 2004): 26.Notes: Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vuillermoz, Émile
Year: 1931
Complete Citation:
Vuillermoz, Émile. “La Musique.” Translated by Frank R. Rossiter. La Musique, Excelsior (Paris), June 8, 1931, 3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Wallace, Weldon
Year: 1962
Complete Citation:
Wallace, Weldon. “Music Notes: Baltimore Symphony.” The Sun, January 3, 1962, 11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Ward, Charles
Year: 2000
Complete Citation:
Ward, Charles. “Symphony, Lin Find Baltic Tone, Deliver Moving Sibelius Concerto.” Houston Chronicle, September 18, 2000, 4.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Ward, Charles. “Two Composers Set Themselves Apart in ‘American Orig-inals.’” Houston Chronicle, January 23, 2001, 7.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Ward, Charles. “Sound Thinking. Da Camera Explores Musical ‘Land-scapes.’” Houston Chronicle, March 1, 2001, sec. D, 1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Ward, Keith C.
Complete Citation:
Ward, Keith C. “Ives, Schoenberg, and the Musical Ideal.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 87-104. New Haven, CT: Yale University Press, 1996.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Watt, Douglas
Year: 1951
Complete Citation:
Watt, Douglas. “Musical Events: Concert Records.” The New Yorker 27, no. 1 (February 17, 1951): 97-99.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Weatherwax, John
Year: 1934
Complete Citation:
Weatherwax, John. “On the Pacific Coast.” Modern Music 11 (January-February, 1934): 106-177.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Webb, John
Year: 1992
Complete Citation:
Webb, John. “Schnittke in Context.” Tempo 182 (September 1992): 19-22.Notes: Composer Schnittke tells of influence of Mahler and Ives. Considers each to be polystylistic.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Webster, Daniel
Year: 1983
Complete Citation:
Webster, Daniel. “Fine Remembrance of Composer Ives.” The Philadelphia Inquirer, June 19, 1983.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1995
Complete Citation:
Webster, Daniel. “Americana on the Piano: Ives and Three Others.” The Philadelphia Inquirer, April 15, 1995.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Weischollek, Dirk
Year: 2011
Complete Citation:
Weischollek, Dirk. “Gustav Mahler und Charles Ives - Heterogenität als Welterfahrung.” In Wo die schönen Trompeten blasen: vokale und instrumentale Semantik im Werk Gustav Mahlers, edited by Heister, Hanns-Werner. Berlin, Germany: Weidler Buchverlag, 2011.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Weiss, Adolph
Year: 1931
Complete Citation:
Weiss, Adolph. “In Defense of Native Composers.” The New York Times, July 26, 1931, sec. 8, 7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances