Druckenbrod, Andrew
Year: 2007
Complete Citation:
Druckenbrod, Andrew. North America - Focus: “Reviews - Ives: String Quartets - No. 1, “From the Salvation Army”; No. 2 “Scherzo.”” Gramophone, Vol. 84 (2007): A11.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Dubins, Jerry
Year: 2015
Complete Citation:
Dubins, Jerry. “Review of IVES: Symphonies Nos. 1 and 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 39, No. 1 (2015): 261-264.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Duke, David
Year: 2015
Complete Citation:
Duke, David Gordon. “Ives: Symphony No. 4 Seattle Symphony.” American Record Guide, Vol. 78, No. 3 (2015): 26-27.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Dumm, Robert W.
Year: 1961
Complete Citation:
Dumm, Robert W. “Wallingford Riegger: ‘It Won’t Last’.” The Christian Science Monitor, 1961, 10.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Edwards, Allen
Year: 1971
Complete Citation:
Edwards, Allen. Flawed Words and Stubborn Sounds: A Conversation with Elliot Carter. New York, NY: W.W. Norton & Company, Inc., 1971.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Eger, Joseph
Year: 1968
Complete Citation:
Eger, Joseph. “Ives and the Beatles.” Music Journal (September 1968).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1968
Complete Citation:
Eger, Joseph. “Ives and Beatles!” Music Journal 26/9 (September 1968): 46, 70-71.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Eichler, Jeremy
Year: 2018
Complete Citation:
Eichler, Jeremy. “Following the Fiddle on a ‘Wild Ride to Heaven’ with Charles Ives: Stefan Jackiw and Jeremy Denk Partner to Perform His Violin Sonatas.” The Boston Globe, January 14, 2018.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Eidland, Dan and Bodil Eidland-Cederbom
Year: 2005
Complete Citation:
Eidland, Dan and Bodil Eidland-Cederbom. Marja, Walt Whitman, Charles Ives, Theodore Roosevelt and I. Alingsås, Sweden: Mitthans, 2005.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Elliot, Martha
Year: 2006
Complete Citation:
Elliot, Martha. “Early Twentieth-Century Nationalism.” In Singing in Style: A Guide to Vocal Performance Practices, 251-285. New Haven, CT: Yale University Press, 2006.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ellsworth, Ray
Year: 1956
Complete Citation:
Ellsworth, Ray. “Americans on Microgroove, Part I.” High Fidelity 6/7 (July 1956): 63-69.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Emmery, Laura
Year: 2013
Complete Citation:
Emmery, Laura. “An American Modernist: Teatime with Elliott Carter.” Tempo, Vol. 67 (2013): 22-29.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Emmery, Laura and Elliot Carter
Year: 2013
Complete Citation:
Emmery, Laura, and Elliott Carter. “An American Modernist: Teatime with Elliott Carter.” Tempo, vol. 67, no. 264 (2013): 22-29.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Emmerik, Paul van
Complete Citation:
Paul van Emmerik. “Review of Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition.” Notes (March 2000) 56/3: 729.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Engel, Lehman
Year: 1973
Complete Citation:
Engel, Lehman. This Bright Day. New York, New York: The Macmillan Company, 1974.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
English, David
Year: 2001
Complete Citation:
David English. “How Ives Won [Response to the Harmonist].” New Yorker 7 (January 22, 2001).Notes: Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ericson, Raymond
Year: 1969
Complete Citation:
Ericson, Raymond. “Retrospective Cowell Program Honors the Music Experimenter.” The New York Times (March 20, 1969): 55.Notes: A review of a concert. Only mention of Ives: “A member of the audience sported a button ‘Ives Lives.’ This reference to the great innovator in American music, Charles Ives, might just as well have read ‘Cowell Lives.’”
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Estep, Stephen
Year: 2010
Complete Citation:
Estep, Stephen. “Collections - American Piano Trios.” American Record Guide, Vol. 73, No. 6 (2010): 231-232.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Ewen, David
Year: 1934
Complete Citation:
Ewen, David. Composers of Today. New York, NY: Wilson, 1934: 132-133.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Ewen, David. “The Eccentrics.” In David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 51-60. New York, NY: Chilton Publishing, 1969.Notes: Discusses Quartet No. 2; Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; Symphony No. 2; and Symphony No. 4.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers