Fairman, Richard
Year: 2015
Source: Online Article
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Falcinelli, Sylviane
Year: 2001
Complete Citation:
Falcinelli, Sylviane. “William Shuman: “Concerto pour violon. New England Triptych.” Ives: “Variations on ‘America’ (orch. Schuman).” Diapason: le magazine du disque et de la musique vivante (2001): 134.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Feder, Stuart
Year: 1993
Complete Citation:
Feder, Stuart. “Homesick in America: The Nostalgia of Antonín Dvořák and Charles Ives.” In Dvořák in America, 1892-1895. Portland, OR: Amadeus Press, 1993.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Feder, Stuart. “The ponds of Thoreau and Charles Ives.” In Thoreau’s world and ours: a natural legacy. Golden, CO: North American Press, 1993.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Feinberg, Alan
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The “Emerson” Concerto-An Ultimate Statement.” American Record Guide, Vol. 61, No. 6 (1998): 6-8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives premiere.” American Record Guide 61/6 (Novem-ber-December 1998): 6-8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Feith, Michel
Year: 1999
Complete Citation:
Feith, Michel. “Commemoration: Translation or Betrayal? Saint Gaudens, Ives, Lowell (Shaw Memorial, ‘For the Union Dead,’ ‘Charles Ives’ ‘Three Places in New England’).” Revue Française d’Études Américaines
80 (March 1999): 69-81.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ferrari, Giordano
Year: 2002
Complete Citation:
Ferrari, Giordano. “Le «Populaire» Comme Matériau Pour L’innovation Musicale: Satie, Milhaud, Ives.” Musurgia, vol. 9, no. 1 (2002): 61-74.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Field, Corey
Year: 1984
Complete Citation:
Corey Field. “Charles Ives, James Joyce, and the General Slocum.” Keynote: A Magazine for the Musical Arts 8/8 (October 1984): 8-13.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Finch, Hilary
Year: 1999
Complete Citation:
Finch, Hilary. “New Classical CDs: 1N Edition 1.” Times, February 25, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fine, Elaine
Year: 2000
Complete Citation:
Fine, Elaine. “Review of Ives, Trio (Sound Recording).” American Record Guide 63/6 (November-December 2000): 124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Fine, Elaine. “Collections: “American Chamber Pieces.”” American Record Guide, Vol. 78, No. 1 (2015): 214.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Finn, Robert
Year: 1999
Complete Citation:
Finn, Robert. “Concerts Everywhere: Cleveland-Cleveland Orchestra: Ives “Emerson Concerto” [Premiere].” American Record Guide, Vol. 62, No. 1 (1999): 47-48.Source: Magazine (recording review/premiere)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fischlin, Daniel
Year: 2011
Complete Citation:
Fischlin, Daniel. ““A Door to Other Doors”: Henry Threadgill Interview with Daniel Fischlin.” Critical Studies in Improvisation, Vol. 7, No. 2 (2011).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Fisher, Fred
Year: 1975
Complete Citation:
Fred Fisher. “Ives and Schoenberg: The Impulse to Greatness.” Connecticut Review VIII/2 (April 1975): 82-88.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Fisk, Josiah
Year: 1991
Complete Citation:
Fisk, Josiah. Recordings in Review -- Charles Ives' Calcium Night Light, Country Band March, Largo Cantabile, Hymn, Postlude in F and Set of Four Ragtime Dances performed by the Orchestra New England under James Sinclair. Musical America, Vol. 111, No. 2 (1991): 77.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Flanagan, William
Year: 1966
Complete Citation:
Flanagan, William. “Charles Ives ‘Robert Browning Overture.’” HiFi/Stereo Review 16, no. 5, May 1966, p. 69-70.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fox, Gerald S.
Year: 2002
Complete Citation:
Fox, Gerald S. “An American Salute.” American Record Guide, Vol. 65, No. 6 (2002): 202.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Frankenstein, Alfred
Year: 1960
Complete Citation:
Frankenstein. Alfred. “From Bernstein and the Philharmonic- Ives’s Second Symphony Grandly Conceived.” High Fidelity 10, no. 7 (November 1960): 75-76.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Frankenstein. Alfred. “Ives’s Fourth Symphony-An ‘Unplayable’ Work Gets Played.” High Fidelity/Musical America 15. no. 11 (November 1965): 83-84.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews