Image
Complete Citation:
Jolly, James. “Encounters with Ives.” Gramophone 63/748 (September 1985): 311.
Bibliography
Genres
Jolly, James
Year: 1985
Notes:
Discussion of Ives’s Symphony No. 4 on the occasion of the re- issue of RCA recording on Chandos.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2010
Complete Citation:
Jolly, James. “Soundwaves: Tune Surfing.” Gramophone, Vol. 88 (2010): 134-135.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kakinuma, Toshie, and Mamoru Fujieda
Year: 1989
Complete Citation:
Kakinuma, Toshie, and Mamoru Fujieda. “‘I Am One of Mr. Ives' Legal Heirs’: An Interview with Lou Harrison.” Sonus: A Journal of Investigations into Global Musical Possibilities 9/2 (Spring 1989): 46-58.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kandell, Leslie
Year: 2004
Complete Citation:
Kandell, Leslie. “Getting Around to Ives - The NY Phil: Later than Some, But Catching Up.” American Record Guide, Vol. 67, No. 5 (2004): 11-13.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2009
Complete Citation:
Kandell, Leslie. “Life in the Eye - Tanglewood: Music to Look At”. American Record Guide, Vol. 72, No. 6, (2009): 16-17.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Karrel, John
Year: 1974
Complete Citation:
Karrel, John. “‘Musical Meeting’ on Ives Draws Many.” The Hartford Courant, August 18, 1974, A2.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kart, Larry
Year: 1979
Complete Citation:
Kart, Larry. “Two Explosive Albums Emit Shattering Waves of Sound.” Chicago Tribune, May 27, 1979, G6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kastendieck, Miles
Year: 1946
Complete Citation:
Kastendieck, Miles. “Music Critics Circle Awards.” Christian Science Monitor. July 5, 1946: 9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kay, Norman
Year: 1970-71
Complete Citation:
Kay, Norman. “Aspects of Copland's Development.” Tempo 95 (Winter 1970-71): 23-29.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kearns, William K.
Year: 1990
Complete Citation:
Kearns, William K. Horatio Parker (1863-1919): His Life, Music, and Ideas. Metuchen, NJ: The Scarecrow Press, 1990.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Keats, Sheila
Year: 1955
Complete Citation:
Keats, Sheila. “American Music on LP Records: An Index,” Part II. Juilliard Review 2/2 (Spring 1955): 31-43.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kelly, Kevin
Year: 2011
Complete Citation:
Kelly, Kevin. “Recording Reviews: Charles Ives - “The Light That Is Felt: Songs of Charles Ives”.” Journal of the Society for American Music, Vol. 5, No. 2 (2011): 283-285.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kendall, Blanche and Marguerite Kelly Kyle
Year: 1947
Complete Citation:
Kendall, Blanche and Marguerite Kelly Kyle. “Music of the Moment.” Pan Pipes 40/2 (December 1947): 126--129.Notes:
Cited among the several dozen newly -issued scores are Ives's two songs: Evening and Walking.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kennicott, Philip
Year: 2005
Complete Citation:
Kennicott, Philip. “The Magnificent Miss Graham”. Gramophone, Vol. 83 (2005): 24-27, 29.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. Sounds of America: Ives’s Answered Question. Gramophone, Vol. 89 (2012): I, III.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. “An American Idol.” Gramophone, Vol. 89 (2012): 28-29, 31, 33.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kerr, Harrison
Year: 1934
Complete Citation:
Kerr, Harrison. “Contemporary Music in New York. I—The Pan-Ameri-cans.” Trend 2/3 (May-June 1934): 145.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kimberley, Nick
Year: 2005
Complete Citation:
Kimberley, Nick. “Reviews: Vocal - Gerald Finley on the Songs of Charles Ives.” Gramophone, Vol. 83 (2005): 77.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Kirkpatrick, John
Year: 1942
Complete Citation:
Kirkpatrick, John. “Aaron Copland's Piano Sonata.” Modern Music 19/4 (May--June 1942): 246-248, 250.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1968
Complete Citation:
Kirkpatrick, John. “The Evolution of Carl Ruggles: A Chronicle Largely in His Own Words.” Perspectives of New Music (Spring-Summer, 1968): 146-166.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers