Kirkpatrick, Ralph
Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “Elliott Carter.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 120-122. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kirzinger, Robert
Year: 2000
Complete Citation:
Kirzinger, Robert. “Classical Recordings: Cowell - “Exultation”; “Aeolian Harp”; “The Lilt of the Reel”; “Tiger”; “Dynamic Motion”; “What’s This”; “Amiable Conversation”; “Advertisement”; “Antinomy”; “Time Table”; “The Banshee”; Ives - “The Alcotts”; 3 Improvisations; Study No. 22; “The Celestial Railroad”; Harrison - Piano Sonata No. 3; Prelude for Grandpiano; “Homage to Milhaud”; “New York Waltzes”; Large Ostinato; “May Rain”; Saraband. Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 2 (2000): 255-256.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Kislinger, Peter
Year: 2005
Complete Citation:
Kislinger, Peter. “Echo: “I hear America singing”: Projekt Thomas Hampson.” Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 46-47.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Kitto, Gloria de Feo
Year: 1982
Complete Citation:
Kitto, Gloria de Feo. “Abstract: Charles Ives, Robert Henri, and the Art Spirit.” The Sonneck Society for American Music Bulletin 8 (Fall 1982): 70-71.Notes: A paper read at the joint meeting of the Sonneck Society, Midcontinent American Studies Association, Midwest Chapter of the American Musicological Society, and the History Special Research Interest Group of the Music Educators National Conference (1982 April 3: Lawrence, KS; University of Kansas).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Klein, Howard
Year: 1966
Complete Citation:
Klein, Howard. “Symphony no. 4 by Ives Recording is Extraordinary.” The Atlanta Constitution, January 1, 1966, 2G.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Knussen, Sue
Year: 1996
Complete Citation:
Knussen, Sue. “Elliott Carter in Interview.” Tempo 197 (July 1996): 3-4.Notes: Recounts Carter’s early acquaintance with Ives and his music (e.g., he knew the <i>Concord Sonata </i>in 1924). Also relates Ives’s influence.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kolodin, Irving
Year: 1965
Complete Citation:
Kolodin, Irving. “Music to My Ears.” The Saturday Review 48, no. 20 (May 15, 1965): 32.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1972
Complete Citation:
Kolodin, Irving. “Ives by His Prophet. Bernard Herrmann.” The Saturday Review 55, no. 37 (September 9, 1972): 57-58.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Konold, Wulf
Year: 1972
Complete Citation:
Konold, Wulf. “Charles Ives—eine Nachlese.” Musica 26/4 (July-August 1972): 410-411.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1972
Complete Citation:
Konold, Wulf. “Schallplatten: Werke von Charles Ives.” Musica 26/3 (May-June 1972): 296-301.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Koob, Lindsay
Year: 2004
Complete Citation:
Koob, Lindsay. “Guide to Records: Ives - “The Celestial Country; Silence Unaccompanied.” American Record Guide, Vol. 67, No. 2 (2004): 139-140.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Koppenhaver, Allen J.
Year: 1975
Complete Citation:
Koppenhaver, Allen J. “Charles Ives, Winslow Homer, and Thomas Eakins: Variations on America.” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 381-393.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kosman, Joshua
Year: 2006
Complete Citation:
Kosman, Joshua. “Symphony premieres Adams’s splendid Ives.” In The John Adams reader: essential writings on an American composer, edited by Thomas May, 376-378. Pompton Plains, NJ: Amadeus, 2006.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kostelanetz, Richard
Year: 1983
Complete Citation:
Kostelanetz, Richard. American imaginations: Charles Ives, Gertrude Stein, John Cage, Merce Cunningham, Robert Wilson. Series-Internationaler Merve-Diskurs, 111. Berlin, Germany: Merve-Verlag, 1983.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Kostelanetz, Richard. John Cage (ex)plain(ed), 8. New York, NY: Schirmer Books, 1996.Notes: Traces lineage from Varèse to Ives to Cage), 26 <i>(The Unan-swered Question</i>), 52, 93, 104 (compares Cage's HPSCHD to Ives's Symphony No. 4 and <i>Universe Symphony), </i>143.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Copland, Aaron. Aaron Copland: A Reader, edited by Richard Kos-telanetz, 151-157. New York, NY: Routledge, 2004.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kostelanetz, Richard, ed.
Complete Citation:
“Interju med John Cage.” Translated by Joel Eric Suben. Nutida Musik (1987-1988) 21/1.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1970
Complete Citation:
Kostelanetz, Richard, ed. John Cage, 12, 25, 100-102, 130, 162-165, 167, 177, 202, 204. New York, NY: Praeger Publishers, 1970.Source: Book
Reprints: Kostelanetz, Richard, ed. <i>John Cage</i>. London, United Kingdom: Allen Lane, 1971. * Kostelanetz, Richard, ed. <i>John Cage</i>. Cologne, Germany: Dumont Schauberg, 1973.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Kostelanetz, Richard, ed. “Conversing with Cage.” New York, NY: Limelight, 1988, 39-40, 47 and passim.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kozinn, Allan
Year: 1999
Complete Citation:
Kozinn, Allan. “American Music’s Coming of Age.” New York Times, October 10, 1999, sec. 2, 29.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
