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Bibliography

Metz, Donald E.

Year: 2009
Complete Citation:
Metz, Donald E. “Collections: “Variations on America.”” American Record Guide, Vol. 72, No. 6 (2009): 205.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Metzer, David

Year: 1997
Complete Citation:
Metzer, David. “The League of Composers: The Initial Years.” American Music (April 1997).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Metzmacher, Ingo

Year: 2005
Complete Citation:
Metzmacher, Ingo. “Zeit (Charles Ives; Gustav Mahler).” In Keine Angst vor neuen Tönen: eine Reise in die Welt der Musik. Berlin, Germany: Rowohlt Verlag, 2005.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Middleton, Richard

Year: 1974
Complete Citation:
Middleton, Richard. “Ives and Schoenberg: An English View.” Saturday Review World, September 21, 1974, 39-41.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Miller, Leta E.

Year: 2006
Complete Citation:
Miller, Leta E. “Henry Cowell and John Cage: Intersections and Influences, 1933-1941.” Journal of the American Musicological Society, vol. 59, no. 1 (2006): 47-112.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Miller, Leta E., and Rob Collins

Year: 2005
Complete Citation:
Miller, Leta E., and Rob Collins. 2005. “The Cowell--Ives Relationship: A New Look at Cowell's Prison Years.” American Music 23, no. 4 (Winter 2005): 473-492.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Miller, Philip L.

Year: 1967
Complete Citation:
Miller, Philip L. “Music for Chorus.” American Record Guide 33/5, January 1967, 410, 412.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Miller, Philip L. “Songs by Charles Ives and Others.” The American Record Guide 35, no. 4 (December 1968): 305.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Miller, Philip L. “Review of Robert Browning Overture by Charles Ives (sound recording).” American Record Guide 34/5, January 1968, 437.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1970
Complete Citation:
Miller, Philip L. “Review of Ives Choral Music.” The American Record Guide 36, no. 9 (May 1970): 674.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1971
Complete Citation:
Miller, Philip L. “Gunther Schuller—A Very Right Man to Interpret Ives.” The American Record Guide 37, no. 6, February 1971, p. 353.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Miller, Sarah Bryan

Year: 2004
Complete Citation:
Miller, Sarah Bryan. “Quintessential American Artists.” St. Louis Post- Dispatch. July 4, 2004, sec. E: 5.
Notes:

Various editors chose important artists in sev-eral fields. The classical music editor chose Ives as one of two classical composers in a collective article. [The other chosen was opera com- poser Carlisle Floyd.]

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Moldenhauer, Hans

Year: 1979
Complete Citation:
Moldenhauer, Hans. Anton von Webern: A Chronicle of His Life and Work, 379, 671. New York, NY: Alfred A. Knopf, 1979.
Notes:

Reproduces the program of an American music concert—1932 February 21—on which songs by Ives, Copland, and Caturla were performed by Ruzena Herlinger and either Paul A. Piskor or Eric Simon, piano. Cites a letter in the Moldenhauer Archives from Ives to Adolph Weiss suggesting Schoenberg, Berg, and Webern as “Honorary European-American” for the honorary board of directors of the Pan American Association of Composers (671).

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Moldenhauer, Hans, and Rosaleen Moldenhauer

Year: 1979
Complete Citation:
Moldenhauer, Hans, and Rosaleen Moldenhauer. Anton von Webern: Chronik seines Lebens und Werkes. Zurich, Switzerland: Atlantis Verlag, 1979.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Molkhou, Jean-Michel

Year: 2015
Complete Citation:
Molkhou, Jean-Michel. “Les disques de A à Z: Récitals: Quatuor Schumann.” Diapason: le magazine du disque et de la musique vivante (2015): 128-129.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Moore, David W.

Year: 1968
Complete Citation:
Moore, David W. “John Kirkpatrick: ‘Concord’ Revisited.” The American Record Guide 35, no. 7 (December 1968): 546-547.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Moore, David W. “Guide to Records: Ives - “Songs,” “Instrumental Pieces,” “Piano Pieces.” American Record Guide, Vol. 68, No. 4: 132.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Moore, David W. “Guide to Records: Ives - Universe Symphony.” American Record Guide, Vol. 68, No. 5 (2005): 121-122.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Moore, David W. “Collections: “New Worlds.”” American Record Guide, Vol. 73, No. 5 (2010): 243.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Moore, John David

Year: 2013
Complete Citation:
Moore, John David. Ravel: Trio; Shostakovich: Trio 1; Ives: Trio. American Record Guide, Vol. 76, No. 1 (2013): 137-138.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews