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Bibliography

Rathert, Wolfgang

Year: 1989
Complete Citation:
Rathert, Wolfgang. “Aspekte Asthethik Modernität bei Ives und Mahler.” In Das Gustav-Mahler-Fest: Bericht über der Internationalen Gustav Mahler Kongress, edited by Matthia Theodor Vogt, 333-444. Kassel, Germany: Bärenreiter, 1991.
Source: Chapter in Book/Conference Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives: Gibt es eine 'geheime Zeitgenossen- schaff?” Neue Zeitschrift für Musik 151/10 (October 1990): 7-12.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Rathert, Wolfgang. “Aspekte asthetischer Modernitat bei Mahler und Ives.” In Das Gustav-Mahler-Fest Hamburg 1989, edited by Matthias Theodor Vogt, 333-343. Kassel, Germany: Barenreiter, 1991.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reed, Joseph W.

Year: 1984
Complete Citation:
Reed, Joseph W. Three American Originals: John Ford, William Faulkner, & Charles Ives. Middletown, CT: Wesleyan University Press, 1984.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reel, James

Year: 1993
Complete Citation:
Reel, James. “CD Offers Exquisite Takes on Ives, Barber Works.” The Arizona Daily Star, February 26, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1999
Complete Citation:
Reel, James. “A Trio of Duos: the Gemini Piano Trio.” Fanfare: The Magazine for Serious Record Collectors, Vol. 22, No. 4 (1999): 128-131.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Reel, James. “Collections: Choral - “Heaven To Earth.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 237-238.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Reel, James. “Reviews: On Record: “A Century of American Music.”” Strings, Vol. 21, No. 9 (2007): 89.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Reis, Claire Raphel

Year: 1938
Complete Citation:
Reis, Claire Raphel. Composers in America: Biographical Sketches of Living Composers with a Record of Their Works, 1912--1937, 146-147. New York, NY: Macmillan. Third Edition, 1938.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reich, Howard

Year: 1987
Complete Citation:
Reich, Howard. “Classical Secrets: Nicolas Slonimsky’s Highbrow Writings Raise Eyebrows.” Chicago Tribune 13, April 26, 1987, 16-17.
Notes:

In this article about Slonimsky there are several references to his associa-tion with Ives (among others) and his work with Ives and his composi-tions, including remarks about the chamber version of Orchestral Set No. 1: Three Places in New England.

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Retallack, Joan, ed.

Year: 1995
Complete Citation:
Retallack, Joan, ed. Musicage: Cage Muses on Words, Art, Music, 283. Hanover, NH: University Press of New England, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reynolds, Roger, Charles Dodge, Lou Harrison, Salvatore Martirano, and Gordon Mumma

Year: 1977
Complete Citation:
Reynolds, Roger, Charles Dodge, Lou Harrison, Salvatore Martirano, and Gordon Mumma. “Five Composers’ Views.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 187-208. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rich, Alan

Year: 1968
Complete Citation:
Rich, Alan. “The Ives Canon.” Saturday Review 51/17, 27 April 1968, 75, 80.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1995
Complete Citation:
Rich, Alan. American Pioneers: Ives to Cage and Beyond. London, United Kingdom: Phaidon, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rickey, Carrie

Year: 1978
Complete Citation:
Rickey, Carrie. “Fashion/Style/Custom: Alan Cote and David Diao.” Artforum 17 (October 1978): 30-34.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Riis, T. L.

Year: 2006
Complete Citation:
Riis, T. L. “Charles Ives, Violin Sonatas Nos. 1-4.” American Music, Vol. 24, No. 2 (2006): 249-250.
Source: Journal (edition/recording review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Robinson, David B.

Year: 1977
Complete Citation:
Robinson, David B. “Children of the Fire: Charles Ives on Emerson and Art.” American Literature 48 (1977): 564-76.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Robinson, David B. “Children of the fire: Charles Ives on Emerson and Art.” In On Emerson. Durham, NC: Duke University Press, 1991.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rockwell, John

Year: 1983
Complete Citation:
Rockwell, John. All American Music: Composition in the Late Twen-tieth Century. New York, NY: Alfred A. Knopf, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Arts Center: ‘Ives.’” High Fidelity/Musical America 25/12 (December 1975): 26-27.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews