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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Schonberg, Harold C.

Year: 1956
Complete Citation:
Schonberg, Harold C. “Records: Ives. The Four Violin Sonatas Played by Drurian.” The New York Times, July 15, 1956, sec. 2, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1962
Complete Citation:
Schonberg, Harold C. “Ives and Ruggles.” The New York Times. March 3, 1962: 16.
Notes:

A review of recital that included ten Ives songs plus an unspecified encore (1962 March 2: New York; Museum of Modern Art; Composers Showcase; Helen Boatwright, soprano; William Dale, piano).

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schorske, Carl

Year: 1985
Complete Citation:
Schorske, Carl. “Mahler ey Ives: Archaïsme Populiste et Innovation Musicale.” In Gustav Mahler: Un Homme, une Oeuvre, une époque: Musée D'art Moderne de la Ville de Paris, 87-97. Paris, France: Bibliothèque Nati-onal, 1985.
Source: Exhibition booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schwartz, Elliott

Year: 1975
Complete Citation:
Schwartz, Elliott. “Directions in American Composition Since the Second World War: Part I—1945-1960.” Music Educator’s Journal 61/6 (February 1975): 29-39.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schwarz, Boris

Year: 1975
Complete Citation:
Schwarz, Boris. “Schoenberg—und Ives—Tagunen in den USA.” Österreichische Musikzeitschrift 30 (January-February 1975): 67-68.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schwarz, K. Robert

Year: 1991
Complete Citation:
Schwarz, K. Robert. “Recitals & Collections -- George Crumb’s Black Angels, Charles Ives’ They Are There!, Shostakovich’s Quartet No. 8 in C minor and Tallis’ Spem in Alium performed by the Kronos Quartet.” Musical America, Vol. 111, No. 2 (1991): 92.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1993
Complete Citation:
Schwarz, K. Robert. “Composers’ Closets Open for All to See.” The New York Times, June 19, 1993, sec. 2, 1.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schwarz, Robert K.

Year: 1985
Complete Citation:
Schwarz, Robert K. “Reviews: Symphony No.3; Orchestral Set No. 2.” High Fidelity/Musical America 35, no. 8 (August 1985): 62.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Schweitzer, Vivien

Year: 2009
Complete Citation:
Schweitzer, Vivien. “The Light that is Felt: Songs of Charles Ives.” The New York Times, January 18, 2009, AR25.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Scott, Fred

Year: 1974
Complete Citation:
Scott, Fred. “Ives’ Sonatas.” The Washington Post, October 21, 1974, B9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Secrest, Meryle

Year: 1994
Complete Citation:
Secrest, Meryle. Leonard Bernstein: A Life, 249, 268. New York, NY: Alfred A. Knopf, 1994.
Notes:

Discusses Symphony No. 2 and The Unanswered Question in Russia.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Seeger, Charles

Year: 1939
Complete Citation:
Seeger, Charles. “Charles Ives and Carl Ruggles.” Magazine of Art 32 (July 1939): 396-399, 435-437.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1939
Complete Citation:
Seeger, Charles. “Grass Roots for American Composers.” Modern Music 16 (March-April 1939): 143-149.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Seeger, Charles. “Henry Cowell.” Magazine of Art 33 (May 1940): 288-89, 322-25, 327.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Semler, Isabella Parker

Year: 1942
Complete Citation:
Semler, Isabella Parker. Horatio Parker: A Memoir for His Grandchildren. New York, NY: G.P. Putnam & Sons.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Serebrier, José

Year: 1974
Complete Citation:
Serebrier, José. “Ives the Most Difficult Ever.” Music Journal 32. no. 7 (September 1974): 14-15.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Charles Ives—A Composer For All Directions.” Stereo Review 35, no. 1 (July 1975): 48-51.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Charles Ives.” Stereo Review (1975): 48.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Ives for Orchestra.” The Instrumentalist 29 (February 1975): 40-41.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Serebrier, Jose

Year: 1979
Complete Citation:
Serebrier, José. “Jose Serebrier on Ives.” In Conductors on Conducting. Frenchtown, NJ: Columbia Publishing Company, 1979.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers