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Bibliography

Slottow, Stephen P.

Year: 2009
Complete Citation:
Slottow, Stephen P. “A vast simplicity: the music of Carl Ruggles.” Hillsdale, NY: Pendragon Press, 2009.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Small, Christopher

Year: 1973
Complete Citation:
Small, Christopher. “Words on Music—Ives and Varese.” Music in Education 37/362 (1973): 187-188.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Smith, David Stanley

Year: 1930
Complete Citation:
Smith, David Stanley. “A Study of Horatio Parker.” Musical Quarterly 16 (April, 1930): 153-163.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Smith, Delos

Year: 1966
Complete Citation:
Smith, Delos. “Both Ives, Mahler Works Recorded.” The Austin Statesman, February 9, 1966, 34. Feb 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Smith, Ken

Year: 2004
Complete Citation:
Ken Smith. “The Principal of Chaos.” Gramophone 82/981 (July 2004): 38--41.
Notes:

A rather comprehensive review of recordings of the symphonies [D078. D079, D083, D085, D097, D098, D116, D156, D157, D217, D306, D333, D351, D365, D383, D440, D446, D448, D457, D467, D560, D583] to determine preferred ones. Includes a drawing by Neale Osborne.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Smith, Moses

Year: 1947
Complete Citation:
Koussevitzky, Moses Smith. Koussevitzky. New York, NY: Allen, Towne & Heath, 1947.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Smith, Steve

Year: 2002
Complete Citation:
Smith, Steve. “The Classical Score: American Maverick.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 114, No. 6 (2002): 18.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Smith, Steve; Holden, Stephen; Schweitzer, Vivien

Year: 2009
Complete Citation:
Smith, Steve, Stephen Holden, and Vivien Schweitzer. “Recordings.” 21st Century Music, Vol. 16, No. 3 (2009): 12.
Source: Journal (recording review or list)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Smith, William A.

Year: 1983
Complete Citation:
Smith, William A. “Leopold Stokowski: A Re-Evaluation.” American Music 1/3 (1983): 23-37.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Spackman, S. G. F.

Year: 1986
Complete Citation:
Spackman, S. G. F. “The American Musical Avant-Garde and Europe.” In European Contributions to American Studies 10 (1986): 189-202.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Spiker, John D.

Year: 2012
Complete Citation:
Spilker, John D. “The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes from Henry Cowell’s 1951 Advanced Music Theory Course.” American Music, vol. 30, no. 4 (2012): 405-425.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Stambler, Bernard

Year: 1955
Complete Citation:
Stambler, Bernard. “Four American Composers.” Juilliard Review II (Winter 1955): 7-16.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Starr, Larry

Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange History of American Art Music.” American Music, vol. 12, no. 2 (1994): 167-187.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange His- tory of American Art Music.” American Music 12 (Summer 1994): 167-187.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Steane, John

Year: 2005
Complete Citation:
Steane, John. “Reviews: Vocal - Ives: “A Song - For Anything.”” Gramophone, Vol. 83: 77.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Steinberg, Michael

Year: 1965
Complete Citation:
Steinberg, Michael. “Zukofsky and Kalish Play Ives Sonatas.” The Boston Globe, May 25, 1965, 33.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Steinberg, Michael. “Zukofsky and Kalish Play Ives Sonatas.” The Boston Globe, May 25, 1965: 33.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
Steinberg, Michael. “Ives First - Just for the Record.” The Boston Globe, July 30, 1966, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2006
Complete Citation:
Steinberg, Michael. “My father knew Charles Ives (2003).” The John Adams reader: essential writings on an American composer, edited by Thomas May, 205-208. Pompton Plains, NJ: Amadeus, 2006.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Stevenson, Robert

Year: 1978
Complete Citation:
Stevenson, Robert. “American Musical Scholarship: Parker to Thayer.” 19th- Century Music 1, no.3 (March 1978): 191--210.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers