Thomson, Virgil
Year: 1988
Complete Citation:
Thomson, Virgil. Selected Letters of Virgil Thomson, edited by Tim Page and Vanessa Weeks Page 259, 329. New York, NY: Summit, 1988.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Thurmaier, David
Year: 2013
Complete Citation:
Thurmaier, David. ““A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing.” Current Musicology, No. 96, (2013): 97-124.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tibbetts, John C.
Year: 1993
Complete Citation:
Tibbetts, John C. “Homesick in America: the nostalgia of Antonín Dvórâk and Charles Ives.” In Dvórâk in America, 1892-1895. Portland, Oregon: Amadeus Press, 1993.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tick, Judith
Year: 1997
Complete Citation:
Tick, Judith. Ruth Crawford Seeger: A Composer’s Search for American Music. New- York, NY: Oxford University Press, 1997.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tippett, Michael
Year: 1980
Complete Citation:
Tippett, Michael. Music of the Angels: Essays and Sketchbooks of Michael Tippett, edited by Meirion Bowen. London, United Kingdom: Eulenburg, 1980.Notes: Ives is one of several composers discussed.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Tippett, Michael. “Composers Past and Present — Charles Ives.” Tippett on Music, edited by Meirion Bowen, 83-88. Oxford, United Kingdom: Oxford University Press, 1995.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tippett, Michael and Meirion Bowen
Year: 1995
Complete Citation:
Tippett, Michael and Meirion Bowen. “Charles Ives.” In Tippett on Music. Oxford, United Kingdom: Clarendon Press, 1995.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tosser, Grégoire
Year: 2002
Complete Citation:
Tosser, Grégoire. “Links and Ligatures: György Kurtág’s “Ligatura-Message to Frances-Marie (The Answered Unanswered Question),” op. 31b.” Studia Musicologica: Academiae Scientiarum Hungaricae, Vol. 43, No. 3-4 (2002): 439-449.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Troon, Anthony
Year: 2015
Complete Citation:
Troon, Anthony. “Record Reviews: In Brief ... Doam Ensemble - “Mists: Charles Ives for Jazz Orchestra.”” Jazz Journal International, Vol. 68, No. 5 (2015): 37.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Tryon, Winthrop P.
Complete Citation:
Tryon, Winthrop P. “Of Ives and Others.” Christian Science Monitor, February 3, 1927, 6.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1927
Complete Citation:
Tryon, Winthrop P. “Of Ives and Others.” Christian Science Monitor, February 3, 1927.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tsioulcas, Anastasia
Year: 2004
Complete Citation:
Tsioulcas, Anastasia. “Classical Score: Ives Thrives on 50th-Anniversary Release.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 116, No. 21 (2004): 15.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Tumelty, Michael
Year: 2016
Complete Citation:
Tumelty, Michael. “Melbourne SO/Davis, Charles Ives Orchestral Music (Chandos).” The Herald (Glasgow, Scotland), February 12, 2016.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Tuthill, Burnet C.
Year: 1949
Complete Citation:
Tuthill, Burnet C. “Recordings of Serious Music by American Com-posers.” Pan Pipes 42/2 (December 1949): 124-130.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Ulrich, Allan
Year: 2003
Complete Citation:
Ulrich, Allan. “Concerts Everywhere: San Francisco - S.F. Sym: Adams “My Father Knew Charles Ives.”” American Record Guide, Vol. 66, No. 4 (2003): 46.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Utz, Christian
Year: 2005
Complete Citation:
Utz, Christian. “Bernd Alois Zimmermann und Charles Ives: Schichtungsverfahren, Intertextualität, kulturelle Verotung.” In Bernd Alois Zimmermann, Zeitauffassung und musikalische Poetik. Munich, Germany: Edition Text + Kritik, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Van Hof, Chris
Year: 2011
Complete Citation:
Van Hof, Chris. “Audio/Video Reviews: “The Hunting of the Snark.”” ITA Journal, Vol. 39, No. 4 (2011): 54.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Vaquero Williams, Claire
Year: 2013
Complete Citation:
Vaquero Williams, Claire. “Discos: Compra segura.” Scherzo: Revista de Música, Vol. 28 (2013): 53.Source: Magazine (recording review)
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vermeulen, Ernst
Year: 1968
Complete Citation:
Vermeulen, Ernst. “Compositions by Louis Andriessen and Peter Schat Incorporating Quotations.” Sonorum Speculum (Summer 1968) 35: 1-12.Notes: Compares quotations by Louis Andriessen and Peter Schatt with some aspects of Ives’s use of quotation. In English and in Dutch.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Vigil, Ryan
Year: 2013
Complete Citation:
Vigil, Ryan. IVES: Concord Sonata; BINKERD: Piano Essays IV, V, VI. American Record Guide, Vol. 76, No. 4 (2013): 107.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews