no author listed
Year: 1936
Complete Citation:
Musiciens Americains à la ‘Spirale.’” La Revue Musicale, no. 165 (April 1936): 293.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1941
Complete Citation:
Copland, Aaron. “The Ives Case.” In Our New Music, 149-161. New York, New York: Whittlesey House, McGraw--Hill, 1941.Source: Chapter in Book
Reprints: Copland, Aaron. “The Ives Case.” <i>The New Music 1900--1960</i>, 109-117<i>. </i>New York: W.W. Norton, 1968. * Copland, Aaron. <i>The New Music 1900--1960 </i>[Unsere neue Musik]. Translated by Reinhardt, Minna and Adalbert Brunner. Munich, Germany: Edition Kasparek, 1947.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
“Barber Concerto Gets Critics Prize.” The New York Times. June 28, 1946: 16.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1954
Complete Citation:
“Musical Whitman.” Newsweek 43, May 31, 1954, 78.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1965
Complete Citation:
“San Francisco Ballet Sets Dances to Hindemith, Ives.” The Atlanta Journal and the Atlanta Constitution, March 14, 1965, 11D.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1968
Complete Citation:
“Hartford Ballet Co. to Dance New Works.” The Hartford Courant, March 24, 1968, 23E.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1974
Complete Citation:
Galkin, Elliot W. “Two Prophets of Music Recognized at Last.” The Sun, October 13, 1974, D3.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Steinberg, Michael. “Arts & Films: Foster and Ives Blended at Dartmouth Review/Music.” Boston Globe, 1976, 29.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1979
Complete Citation:
October 23, 1979. (Hallowe’en): New York. Telecast over WNET as Peter Martins, Principal Dancer.
1980 February 20: WNET's Dance America Series. See also Jennifer Dunning. "Venturing Out to the Limits of Part-nering." New York Times (1998 June 13) B: 7.Source: Telecast
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1987
Complete Citation:
“On the Rating of Composers: Letter.” The New York Times, April 26, 1987.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
“New York: Dance Notation Bureau, Incorporated.” Dance Not-ation Journal 3/1 (December 1988).Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1988
Complete Citation:
“Stages of Life, from Ives and the City Ballet: Nassau and Suffolk Edition.” Newsday, February 6, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1989
Complete Citation:
Fata morgana (1989); for Jerome Robbins Archives. Music: The Pond; The Rainbow,Tone Roads No. 1; Tone Roads No. 3; Like a Sick Eagle; and "From Hanover Square" from Orchestral Set No. 2.
Prf: 1989 May 19-14: New York; Joyce Theater.Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1994
Complete Citation:
“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.Notes: “The Dead” refers to the Rock group, “The Grateful Dead.”
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1997
Complete Citation:
Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
Noble, David W. “The Vanishing National Landscape: Painting, Architecture, Music, and Philosophy in the Early Twentieth Century.” In Death of a Nation: American Culture and the End of Exceptionalism, 151-214. Minneapolis, MN: University of Minnesota Press, 2002.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
A Century of Composing in America: 1820-1920, The City University of New York, The Graduate Center, New York, New York, October, 2004.Source: Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2013
Complete Citation:
“Father Takes the Stage; Daughter, the Court.” The New York Times, June 13, 2013.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other