Image
Complete Citation:
“On the Rating of Composers: Letter.” The New York Times, April 26, 1987.
Bibliography
Genres
no author listed
Year: 1987
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
“New York: Dance Notation Bureau, Incorporated.” Dance Not-ation Journal 3/1 (December 1988).Notes:
Labanotated
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 1989
Complete Citation:
Fata morgana (1989); for Jerome Robbins Archives. Music: The Pond; The Rainbow,Tone Roads No. 1; Tone Roads No. 3; Like a Sick Eagle; and "From Hanover Square" from Orchestral Set No. 2. Prf: 1989 May 19-14: New York; Joyce Theater.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 1994
Complete Citation:
“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.Notes:
“The Dead” refers to the Rock group, “The Grateful Dead.”
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1997
Complete Citation:
Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
Noble, David W. “The Vanishing National Landscape: Painting, Architecture, Music, and Philosophy in the Early Twentieth Century.” In Death of a Nation: American Culture and the End of Exceptionalism, 151-214. Minneapolis, MN: University of Minnesota Press, 2002.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
A Century of Composing in America: 1820-1920, The City University of New York, The Graduate Center, New York, New York, October, 2004.Source: Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2015
Complete Citation:
“De Charles Ives a Johann Sebastian Mastropiero.” La Nación - Argentina, May 28, 2015.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers