Chorus Unaccompanied or With Keyboard

"Little star of Bethlehem" (Ives) 
Arranged by Paul C. Echols from song for voice and piano

"Come join my humble ditty" (anon.) 
Transcribed and edited by Gregg Smith for unis cho, pf, opt fl/vn/kazoos; arranged 
by Alexander Dashnaw for unis cho, pf 4 hd, opt fl/vn/kazoos (both versions from original song). 
(see also Ives's version for chamber orchestra; also arranged by Jonathan Elkus for symphonic band)

"When Flint stood without peer" (Merrill) 
Ives Society critical edition in prep

"All-Forgiving, look on me" (Palmer) 
(Ives Society critical edition in prep)

"Blessed be the Lord God of Israel" (from Luke 1:68-79) 
(Ives Society critical edition in prep)

"O'er the mountain towards the west" (Ives) 
Arranged by Herbert Haufrecht from song for voice and piano

Ives, Charles

"Another good cowpuncher has gone to meet his fate" (O'Malley) 
Arranged by Ronald Herder from song for voice and piano 
(see also Ives's version for chamber orchestra with opt voice)

"Sunset and ev'ning star" (Tennyson) 
Ives Society critical edition by John Kirkpatrick

"Wake! wake, earth from your ice-bound torpor" (anon.) 
Ives Society critical edition by John Kirkpatrick

"Now came still Evening on, and Twilight gray" (Milton) 
Arranged by Ronald Herder from original song 
(see also Ives's version for chamber ensemble with opt voice)

"For you and me the world is fair" (anon.) 
Edited by Clifford Richter for TTBB qrt or cho (original version) 
Also arranged by Clifford Richter for SATB qrt or cho

"God of my life, Thy boundless grace" (Elliott) 
Ives Society critical edition by John Kirkpatrick

"Lord God, Thy sea is mighty" (anon.) 
Ives Society critical edition by John Kirkpatrick

"When the distant evening bell" (Ives) 
Arranged by Herbert Haufrecht from the original song

"Go my songs!" (Ives)  
Transcribed and edited from the orig. song by 1. Gregg Smith, 
2. Alexander Dashnaw (pf=4 hands) (each version, sc for sale)

"Make a joyful noise unto the Lord" (King James Version)  
Ives Society critical edition by John Kirkpatrick and Gregg Smith

(see Chorus with Orchestra or Chamber Ensemble)

"The fool hath said in his heart" (King James Version)  
Ives Society critical edition by John Kirkpatrick

"Praise ye the Lord, praise God in his sanctuary" (King James Version) 
Ives Society critical edition by John Kirkpatrick and Gregg Smith

"The earth is the Lord's" (King James Version) 

"Unto thee, O God, do I lift up my soul" (King James Version) 
Ives Society critical edition by John Kirkpatrick and Gregg Smith

"As pants the hart for cooling streams" (Tate and Brady version) 
Ives Society critical edition in prep

"Save me, O God, by thy name" (King James Version) 
Ives Society critical edition by John Kirkpatrick and Gregg Smith

"God be merciful unto us" (King James Version) 

"Lord, thou hast been our dwelling place" (King James Version) 
Ives Society critical edition by John Kirkpatrick and Gregg Smith

"Stars of the summer night" (Longfellow) 
Ives Society critical edition in prep

"O Sabbath rest of Galilee" (Whittier) 
Reprinted from original song publication

Charles Ives (1874–1954), a lifelong optimist, was shocked and deeply hurt by the German invasion of Belgium which started in August 1914; when Antwerp surrender-ed in October, Ives dashed a musical tirade he called “Sneak Thief,” referring to the German leader Kaiser Willhelm. Ives continued venting in letters and the marginalia of his musical manuscripts. Sneak Thief presents as a private scream. In 1917 Ives took a more practical approach, composing a patriotic song “He Is There!” which has a fully public intention.

"'Neath the elm trees' darkening shadow" (anon.) 
Ives Society critical edn in prep

"All summer long, we boys" (Ives) 
Arranged by Alexander Dashnaw from version for mixed chorus and orchestra 
(Also arranged by Jonathan Elkus for symphonic band with opt mixed chorus)

Compiled by Barbara Tagg from the songs 

(2 sc set for sale)

Ives, Charles text by John Greenleaf Whittier

"Is that Mister Riley?" (Ives) 
Arranged by Herbert Haufrecht from original song

Charles Ives (1874–1954) composed at least a dozen partsongs, mostly while he was a student at Yale College (1894–98). His The Year’s at the Spring (1889 or 1892) appears to be the earliest surviving in the genre, but for SATB, not for the more common TTBB. The text is from “Pippa Passes,” no. 1 of Bells and Pomegranates (1836) by Robert Browning.

"There is a lane which winds towards the bay" (Harmony Ives) 
Arranged by Herbert Haufrecht from original song

"There's a time in many a life" (Ives) 
Transcribed and edited by Gregg Smith for unis cho, pf 
Arranged by Alexander Dashnaw for unis cho, pf 4 hd 
(both versions from original song) 
(see also Ives's version from unison chorus and orchestra)

"Oh, turn ye, for why will ye die?" (Hopkins) 
Ives Society critical edition by John Kirkpatrick

"A big October morning" (Ives) 
Arranged by Ronald Herber from original song

"Round and round the old dance ground" (Ives) 
Transcribed and edited by Gregg Smith from original song