Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Bauer, Marion
Year: 1947
Complete Citation:
Bauer, Marion. “Charles Ives Receives Award.” Musical Leader 79/6 (June 1947): 9.Notes: Notice of Ives's receiving the Pulitzer Prize for Symphony No. 3. Includes remarks about his being ignored and overlooked.
Source: Journal
VI. Topical Studies
V. Awards
Beckwith, Ethel
Year: 1947
Complete Citation:
Beckwith, Ethel. “Pulitzer Prize Winner Scoffs at $1,000 Award.” Sunday Herald (Bridgeport, Connecticut), May 11, 1947, 1, 16.Source: Newspaper
VI. Topical Studies
V. Awards
Bond, Victoria
Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.Source: Journal
VI. Topical Studies
R. Performance Approaches
Cowell, Henry
Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.Source: Journal
VI. Topical Studies
R. Performance Approaches
Darter, Tom
Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.Source: Magazine
VI. Topical Studies
R. Performance Approaches
de Mare, Anthony
Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.Source: Journal
VI. Topical Studies
R. Performance Approaches
Gann, Kyle
Year: 1991
Complete Citation:
Gann, Kyle. “Pulitzer Hacks: Amateur Composers versus the Profes-sionals.” Village Voice, July 30, 1991.Notes: Cites the story from Milton Babbitt that Ives was not a professional composer.
Source: Newspaper
VI. Topical Studies
V. Awards
Year: 1992
Complete Citation:
Gann, Kyle. “Composer’s Clearing House: The Pulitzer Prize.” Village Voice, May 5, 1992.Notes: Claims Lou Harrison urged Ives to “expunge the 'ex-perimental' parts of the Third Symphony” [i.e., “shadow parts”].
Source: Newspaper
VI. Topical Studies
V. Awards
Glöckler, Ralph Roger
Year: 2012
Complete Citation:
Glöckler, Ralph Roger. Mr. Ives und die Vettern vierten Grades: Roman. Berlin, Germany: Elfenbein, 2012.Source: Book
XIII. Ives in Literature
B. Fiction
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
Haylock, Julian
Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Henck, Herbert
Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
VI. Topical Studies
R. Performance Approaches
Johnson, Owen
Year: 1912
Complete Citation:
Johnson, Owen. Stover at Yale. Boston, MA: Little, Brown, 1912.Source: Book
XIII. Ives in Literature
B. Fiction
Keough, James
Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Kozinn, Allan
Year: 1998
Complete Citation:
Kozinn, Allan. “Composer Wins Freedom, but It's Temporary.” The New York Times, January 15 1998.Source: Newspaper
VI. Topical Studies
V. Awards
Year: 2000
Complete Citation:
Kozinn, Allan. “Chinese-Born Composer Wins $225,000 Ives Prize.” The New York Times, December 21, 2000, sec. E, 11.Source: Newspaper
VI. Topical Studies
V. Awards
Lynds, D.
Year: 1989
Complete Citation:
Lynds, D. “Charles Ives and the President of the United States.” South Dakota Review 211A (Winter 1989): 156-161.Source: Journal
XIII. Ives in Literature
B. Fiction
Manfried, Walter
Year: 1948
Complete Citation:
Manfried, Walter. “Composer Won a Pulitzer Prize, But He’s Still the Great Unheard: Charles Ives Has Written Strange Music for Horns, But Doesn’t Toot His Own.” Green Sheet - Milwaukee Journal. June 23, 1948.Source: Newspaper
VI. Topical Studies
V. Awards
Mauceri, John, moderator
Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
